Showing posts with label european tour. Show all posts
Showing posts with label european tour. Show all posts

Saturday, October 03, 2015

Pretty China Makes Breakfast Delicious

If you eat on pretty dishes, the food tastes better. (Try it. It's true!)

Here's a snapshot of my gal pal @chickinslacks and I at breakfast in Passau, Germany last month. I zipped through Europe for a few dates with my Black Americana outfit, lingered with friends for a week or so in Berlin and Bremen and had what can only be described as an adventure of epic proportions.  More on that later.

Find more shots on my Instagram page.

Sunday, February 03, 2013

A Sick American in Dresden

I’m not a sickly person. I don’t get seasonal illnesses. I’m not overweight, I don’t do drugs recreationally, I don’t smoke pot or cigarettes, I’m not a drinker, I workout regularly and I eat clean. I’m not perfect by any means – I love baked Cheetos as much as anyone else does – but once I began to take myself seriously as a performer, I worked hard to develop and maintain this lifestyle.  Eventually, I realized that staying healthy, lean and strong would have to be a full time job. Ultimately, I would have to fight for the body and the quality of life that I wanted, and that fight would never really end. Every day, I fight for my life with all the salt and sugar I don’t eat, with every mile I run, with every  2 minute sparring round I crawl through, with every shot of wheatgrass.  I believe that those preventative measures add up.

Someone said to me recently – I think it was Charles Burnham – that the ailments that visit you in your 30s and 40s come back to stay with you in your old age. I haven’t had any visitors –  and I’m not keeping the porch light on for houseguests, either. This little story is a strong example of what it means to stay vigilant and fight for your good health.

Because I’m fairly in tune with my body, I’m acutely aware when something is wrong. While on tour in Dresden, Germany, I was quite suddenly in so much pain with what I thought was an earache that I asked to see a doctor.  It felt as though a needle was pushing its way directly into my ear canal, causing a shooting pain that ran down my neck. My voice remained unaffected – but how long would that last?  I didn’t want to wait to find out.

I had never had emergency medical care by a general practitioner in Europe. What would this experience be like in comparison to what I usually get in America when I’m uninsured?

Eva (our Austrian tour manager) got a few phone numbers from the hotel and made an appointment to see a doctor on a Friday after 8am, when their offices opened.  When I saw her at breakfast, she said I was in line to be seen as soon as possible.  Thanks to a childhood that included way too much art house cinema, this remark filled my head with images of starving desperate filthy eastern Europeans in endlessly long breadlines, shrouded by snow and grey skies wrapped gently within an overall sheen of desolation and despair.  Our leisurely sun drenched10 minute walk to the doctor’s office was quite the contrast. We even marveled at the beautiful architecture as we went along.

There was a line, as it turns out – but it wasn’t what I expected. It felt as though we were waiting to check out a book from the library. We stood in a clean, well-lit vestibule with a few others for awhile and then suddenly we were at a desk explaining ourselves to a sweet faced girl in white who took my information and led us to a waiting room. In no time at all – something like 15 minutes, maybe? -- I was sitting in the doctor’s office. He was a little on the young side, a boyish looking 40-something perhaps, smiling and open and friendly, and was dressed in jeans and a dark, striped, button down shirt. I sat in a chair next to his desk, which was expansive and well-organized, and he leaned back in this huge ergonomically correct chair and listened to me attentively as I pointed at my neck and gesticulated. Needless to say, his English was perfect. The whole thing felt like a job interview. Or a really terrific blind date. We should have been having coffee and pastry as we chatted. Sitting there, looking at him in his black crocs, I couldn’t help but wonder: Where were his many, many degrees from expensive inaccessible universities? Shouldn’t they have been hanging on the wall behind him, constantly reinforcing his authority and expertise? Where was his equipment? Wasn’t he supposed to be wearing a stethoscope or something? How about some id tags? And where was his white jacket?

When I asked him this last question, he laughed. “Yes, that’s right,” he said casually. “I wore a white jacket in Canada…”   Equipment? He nodded toward the bookshelf behind me, where a stethoscope sat on a shelf, glistening in the phosphorescent light like an overfed garden snake.  As I regaled him with stories of American doctors and hospitals and how this might work if I were stateside, he examined my neck and throat and listened with interest. He seemed bemused.

Then came the diagnosis. My ear was fine. My voice was fine. The tube that runs from my ear to my throat -- the Eustachian tube -- was infected. How did this happen?

“Have you had a cold?”  he asked.

“No,” I replied. I honestly couldn’t remember the last time I’d had a cold. I even made sure that I got my annual flu shot before I left home.

“Was your nose clogged, was your head congested at all?”  he asked.

That’s when it hit me. I had been crying constantly for days. This is all Jef’s fault.

The doctor wrote a prescription for nose drops and a cream that is to be inhaled with steam. And with that, our visit was over as abrubtly as it began. If I was in that room longer than 10 minutes, I’ll eat my favorite pumps.

Here’s the upshot: I presented myself as a foreigner, I gave them NO insurance information – just my passport. That little visit cost me 30 Euros. The medication was only 15 Euros. That’s something like $60. Even if the rate of currency was 2 of our dollars for every one of theirs, I would still have paid less than $100. We were in and out of there in less than an hour. I was more than astonished. I was impressed.

I remember sitting in the van as we zipped down the highway, more than just a little freaked out as I considered the American no insurance alternative: sitting in the triage section of an emergency room’s waiting area for hours on end, eventually sifting through  a stack of paperwork only to wait and wait and wait until a doctor sees you, hurls you through some expensive equipment if you’re lucky or tosses some Tylenol at you if you aren’t.  That bill would be for hundreds upon hundreds of dollars. If you have coverage, you’ll spend months haggling with the insurance company over it. If you don’t have insurance, you’ll give a false name, address and social security number, and then you will disappear. Or you will give them your correct information and pay hundreds of dollars for what would have cost you less than $50 in a place that used to be behind the Iron Curtain.

Would Jonathan Larsen -- creator of the Tony Award-winning Broadway musical RENT -- be alive today if he’d seen a European doctor instead of an American one?  He’d probably still be here if he had insurance during his emergency room visits to two different hospitals because it would have compelled hospital administrators to take him seriously and order the tests he needed –  expensive tests that run on expensive equipment that would ultimately have saved his life.
I have insurance but that doesn’t mean that my days of munching on fresh fruit and praying that I don’t get hit by a bus are over. Plenty of Americans have all the insurance they could possibly want. And they get a major illness and get bilked out of their life savings. Why, it’s almost as though corporations are constantly scheming on how to get as much of everyone’s money as they possibly can.  We’ll be a country of the very rich and the very poor in no time at all. The haves and the have nots. And of course, the haves will say that what you have or don’t have will be entirely your own fault. You just didn’t work hard enough.

Whoever came up with the idea of America being a place where everyone pulls themselves up by their own bootstraps should be taken out back and horsewhipped for all eternity. The idea of such a notion – if I work hard, I can have whatever I want! – is appealing, but it’s just flat out not true. First of all, this great nation has worked very hard to disenfranchise a great number of its citizens since its very inception – and in many ways, it continues to do so, unabated. Jim Crow?  Segregation? Voting rights for everyone – not just white men who own property? Slavery – a topic that NO ONE wants to openly acknowledge or discuss. Give me a break. Secondly, no man is an island. No one does anything in and of themselves. Land grants? The G.I. Bill? Free (yes, free!) college tuition? Give me yet another break. And last but not least, there’s institutionalized racism. You know. It’s that thing that tilts absolutely everything in this country to your white advantage.

But I digress.

Americans seem blissfully unaware of how well other first world nations live. If they knew what they could be getting for their hard earned tax dollars, they would riot in the streets. As one ex-pat said to me after a gig in Dresden:: “Why should I go back to the USA? There’s no poverty here. They have universal health care. They pay for your education. They have gun control.”  He paused, shrugged and continued. “While America is squabbling, everyone else is living in the 21st century.”    He’s right. That’s a 21st century way to live.

Because I'm convinced that Michael Moore’s documentary Sicko should be required viewing for anyone in this country that doesn’t want universal health care and anyone else that's curious about what's really happening in the health care industry, I've included it below in its entirety.

And no, I’m not a socialist.




Saturday, February 02, 2013

pithy little thoughts

unbelievable but true -- the tour with james "blood" ulmer and odyssey is almost over. it feels like i've been away for a month! this entire experience has fortified me, somehow. i feel much improved overall: stronger, lighter and way more focused.

whenever i travel abroad, i learn more than i think. here's the top five that's floating around in my head at the moment:
  1. get your electronic gadgets in order, stat: a kindle is a lot lighter than a few books.
  2. underpack -- because those excess airline weight fees can be pricey.
  3. oversleep, oversleep, oversleep -- because when you travel, you're probably not getting enough sleep, anyway. if you think you're oversleeping, you're probably barely breaking even.
  4. eat clean, eat less than usual and don't eat at night.
  5. there ain't no blackgirl hair products within easy reach, so pack what you need - or better yet, put your natural hair in a protective style before you leave home.
here's a bonus: never eat seafood in a land-locked country.

i'm still trying to figure out phone usage (i have an android), how to get around a no-internet situation, how to pack more than one pair of pumps and still staying underweight, how to workout in tiny hotel rooms, finding a smaller lighter laptop for travel and of course making my simplest manicure last longer than a week. 


Tuesday, January 22, 2013

On the road again...!

As of today, January 22nd, I'm on tour in Europe as vocalist with guitarist James "Blood" Ulmer's iconic band Odyssey. For tour dates, click here -- and if you'd like to follow along as I blog all about it, please go to This Rock 'n Roll Blackgrrl's High Life -- A Cautionary Tale. Danke!

Here's what Odyssey sounds like -- via a live performance in Tokyo, 1983 -- doing one of my favorite songs Are You Glad To Be In America?


Friday, October 19, 2012

Tender Moments with G. Calvin Weston, Part 1: "In my office! NOW!"



Having started his 30+ year career as a musician with harmolodic saxophonist/composer Ornette Coleman at the tender age of 17, it's safe to say that G. Calvin Weston is a drummer of epic proportions.  It's his innate musicality, however -- a seemingly indefatigable desire to emote vocally, as a countertenor would, augmented by a verve towards sound and vision -- that makes him four dimensional as an artist.  One would think he was from the deep South.  Calvin is grounded and yet he is ethereal, a heady mix of what can only be described as a sophisticated hick that is refined and aware, set adrift upon the performance stages of the world.

We just came off a European tour with James "Blood" Ulmer, hopscotching all over creation and then some.  I would say that Calvin and I became what most people would describe as fast friends but that isn't exactly true. The truth is, Calvin and I met and realized that somehow, we already knew each other. At least, that's the way it felt on my end.

How does he describe it?

It was after the gig, when we were at the bar at Kunst & Kulturhaus in Oblarn, Austria that Calvin turned to me and said, with a great deal of astonishment, "Do you realize we only met four days ago?" Then without warning, before I could fully express my mutual wonder and admiration, he smiled broadly, threw his hands up triumphantly as though he'd just made the touchdown of a lifetime and yelled at the top of his lungs, "It's like you fell out my balls!"

If I wasn't mortified the first time he said it, the third time probably sealed it for me.

Of course, the back end of the bar roared its approval and applauded raucously. I opened my mouth to scream but nothing came out. All I could do was cover my face with my hands. Later, I remember thinking, well that was a compliment, really -- as only Calvin could give.

And that's pretty much G. Calvin Weston -- in a nutshell, so to speak.

Once they were up and positioned and tuned, Calvin had the habit of calling his drumset his office. There were too many moments when he would insist that I photograph him there.  It is with this in mind that I give you a pastiche of images from any given soundcheck from our happy jaunt through the Rhineland and beyond -- Calvin, hard at work, in his office.

Looking over Calvin's shoulder...

Rehearsal, Music Hall Worpswede -- this is our sound engineer Joerg Mohr's home base.


G. Calvin Weston, soundcheck - Porgy & Bess 10/1/12

G. Calvin Weston, in his office

Porgy & Bess, Vienna Austria

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That's a glimpse of Joerg, moving and repositioning that drumset for the 5th time.

Soundcheck, Cinema Paradiso - St. Polten, Germany

Cinema Paradiso St. Polten, Austria

Calvin, in his office

Calvin, posing. Again!

Altes Kino, Landeck Austria

Calvin, tuning up in his office

BIX Stuttgart Germany



Soundcheck, A-Trane

A-Trane, Berlin Germany -- with Joerg checking Blood's monitors.

The view from backstage

The view as I tilt open the backstage door.

Soundcheck, Altes Plandhaus

At Altes Plandhaus in the round, Cologne Germany





Wednesday, September 12, 2012

ten things

i'm getting ready to skip town with blood. in my head, my bags are already packed -- sort of. one of them is practically empty to make room for all the stuff i'd like to bring back, like kirschwasser and kindereggs (just in time for halloween!) and of course, something strange and unexpected, like a vintage pair of lederhosen. (just in time for halloween!) who knows what i'll find, if i look hard enough.

believe it or not, i need a separate zippered container in my suitcase for all of my beauty products -- because frankly, my left leg could drink up one of those travel sized bottles of lotion overnight, all by itself. and no, i'm not even going to get into how thirsty my thick, thick hair is in its natural state.

this is my latest list, spun out of me haphazardly on the way to the gym:
  1. zantac
  2. grether's pastilles blackcurrant glycerine drops
  3. universal adaptor
  4. digital recorder
  5. humidifier
  6. slippery elm tea
  7. small (but powerful!) mini-speakers
  8. collapsible water bottle
  9. collapsible to-go container
  10. motrin
there's got to be a better, more efficient way to travel internationally -- without paying a lot of fees. maybe this is it.