Showing posts with label apollo music cafe. Show all posts
Showing posts with label apollo music cafe. Show all posts

Saturday, January 05, 2013

wait, what happened to me in 2012?

i can't remember the last time i made a new year's resolution. it's probably because i list my goals constantly -- dated, well organized, layered -- and i make every effort to prioritize them. that bright, shining end of the year moment is kind of lost on me because i'm resolving to do things every day -- and then i do them, by any means necessary.

every year is more and more of a blur, so instead of dwelling on what i didn't do last year, i decided to make a list of exactly what i did do.

let's see now...2012 was the year that i

sang harmonies with joseph arthur on the david letterman show

was featured as a jazz dancer -- doing the black bottom, of all things -- on boardwalk empire. (that's my second time on that show, folks.  jazz dancing is a fun gig, but i won't quit until i'm a gangster's moll...)

had two stellar sold out performances at the apollo theater's music cafe of the billie holiday project, a show i performed in and wrote.

opened for and sang with the legendary jazz vocalist jon hendricks at the 35th annual harlem stage gala

got accepted to the nyu/tisch school of the arts mfa program

wrote a bunch of rock and roll songs with my bennett guitar

got a banjo (on permanent loan, sort of -- thanks michael!) and started learning how to play it (fingerpicking is hell on earth.)

started to get really good at boxing -- and LOVE it
(hitting men strategically, with power and velocity, and outmaneuvering them, is sublime.)

was selected as a semi-finalist in the performance category of the unsigned only music competition 
won a blue ribbon at the jazz age lawn party's pie contest -- twice!  (fyi: the first one in june, best savory, was a tomato pie and the second one in august, most unusual, was a vinegar pie. dee-lish!)

threw myself a birthday party with plenty of cool friends and low country fare

danced again (something i was always told i was lousy at, by the way) for a new idea i'm growing with the francesca harper project at the first annual harlem arts festival in marcus garvey park -- on my birthday!

toured europe singing in guitarist james "blood" ulmer's black rock experience that included g. calvin weston on drums and mark petersen on bass

accompanied myself on guitar (for the very first time ever!) and premiered a few of my original country tunes at a sold out gig deep in the heart of brooklyn

recorded ruler of my heart, an allen toussaint song made famous by irma thomas, for a tribute album dedicated to him -- with the little big band swingadelic


got a beautiful soprano martin ukulele as a christmas present from mpb

performed with my quintet the hot five in the salon's fifth annual new year's eve eve fete

sang in the new year at the astor room

yeesh. i guess 2012 was kinda dope... 

Saturday, March 31, 2012

The next gig: "The Billie Holiday Project" April 13 & 14, 2012


With a cast that includes Francesca Harper, Charles Wallace and Keith L. Thomas, I'll be performing my latest idea The Billie Holiday Project at Harlem's iconic Apollo Theater's Music Cafe on Friday April 13th and Saturday April 14th. As of March 28th, the first performance is sold out and yes, there are still tickets available. (I think.)

I couldn't be more over the moon about this idea -- fusing Zora Neale Hurston's newly discovered Harlem-based fables about black city folk, stories that haven't seen the light of day since the 30s (!!!) with rare sides from Billie Holiday's early recordings. I want to reintroduce the audience to two black female icons that they thought they already knew -- something fresh and new and interesting from both of them, blended together in this really effortless way.

My goal was to create an urban version of George C. Wolfe's Spunk! I actually saw that production at the Public Theater thanks to my ATL pal Chris Adams, who took me to see it because he couldn't stop thinking of me when he saw it initially. At the time, people were constantly telling me that I looked a lot like Danitra Vance. But that's another conversation.

More updates later. For now, get a ticket if you can. It's going to be a fun night!

I must say -- seeing this on the marquee as I enter the Apollo to create some powerful black girl wonderment NEVER gets old...