Showing posts with label The Rebel Flag. Show all posts
Showing posts with label The Rebel Flag. Show all posts
Monday, June 22, 2015
Quote of the Day - from a REAL Confederate/Southerner
(This image brought to you by graphic artist Doug Dobey in response to this idiocy: a gigantic Confederate flag that welcomes visitors to Richmond, Virginia.)
Any Southerner who honestly believes that the rebel flag is a reminder of their honorable Confederate history and heritage is woefully ignorant of the facts -- or flat-out racist. And here's the quote that proves it.
"Our new government is founded upon exactly the opposite idea; its foundations are laid, its cornerstone rests, upon the great truth that the negro is not equal to the white man; that slavery subordination to the superior race is his natural and normal condition. This, our new government, is the first, in the history of the world, based upon this great physical, philosophical, and moral truth." --Alexander Stephens, the Vice President of the Confederacy, "The Cornerstone Speech," March 21, 1861
For any reasonably intelligent, clear-thinking American to stand by a flag that represents this racist philosophy is unconscionable.
To read The Cornerstone Speech in its entirety, click here.
Tuesday, December 10, 2013
Oh, Kanye, Part 3: That Confederate Flag and You
So these are the images in question by artist/illustrator Wes Lang.
Nothing you haven't seen before, if you've even so much as glimpsed bands like Lynrd Skynrd, Metalica, Megadeth, The Grateful Dead, Judas Priest. Or if you know any bikers. Or purveyors of West Coast tattoo art. Kanye is appropriating that imagery and more, and draping a Confederate flag over it.
(Meh.)
I suppose Kanye KKK hoods and robes are next. If he makes them fashionable enough -- and he can because that's a big part of what he does -- he won't have any trouble selling them. (Hey, that's got a ring to it - Kanye KKK!) He can wear one all the time and call himself The Grand Dragon Wizard -- of Greatness and Brilliance. Because, according to him, that's what he is.
Of course, later he will sell those KKK outfits -- and the regalia that accompanies them -- in Barneys in pastel hues for thousands of dollars. Because he's brilliant. Right?
He sounds bipolar to me. Here's a few symptoms.
Nothing you haven't seen before, if you've even so much as glimpsed bands like Lynrd Skynrd, Metalica, Megadeth, The Grateful Dead, Judas Priest. Or if you know any bikers. Or purveyors of West Coast tattoo art. Kanye is appropriating that imagery and more, and draping a Confederate flag over it.
(Meh.)
I suppose Kanye KKK hoods and robes are next. If he makes them fashionable enough -- and he can because that's a big part of what he does -- he won't have any trouble selling them. (Hey, that's got a ring to it - Kanye KKK!) He can wear one all the time and call himself The Grand Dragon Wizard -- of Greatness and Brilliance. Because, according to him, that's what he is.
Of course, later he will sell those KKK outfits -- and the regalia that accompanies them -- in Barneys in pastel hues for thousands of dollars. Because he's brilliant. Right?
He sounds bipolar to me. Here's a few symptoms.
- Feeling unusually “high” and optimistic OR extremely irritable
- Unrealistic, grandiose beliefs about one’s abilities or powers
- Hyperactivity
- Racing thoughts; jumping quickly from one idea to the next
- Impaired judgment and impulsiveness
- Acting recklessly without thinking about the consequences
- Talking so rapidly that others can’t keep up
- Distractibility
Manic depression is touching my soul
I know what I want but I just don't know
How to, go about gettin' it
Feeling sweet feeling,
Drops from my fingers, fingers
Manic depression is catchin' my soul
Woman so weary, the sweet cause in vain
You make love, you break love
It's all the same
When it's, when it's over, mama
Music, sweet music
I wish I could caress, caress, caress
Manic depression is a frustrating mess
Well, I think I'll go turn myself off,
And go on down
All the way down
Really ain't no use in me hanging around
In your kinda scene
Music, sweet music
I wish I could caress, caress, caress
Manic depression is a frustrating mess
I know what I want but I just don't know
How to, go about gettin' it
Feeling sweet feeling,
Drops from my fingers, fingers
Manic depression is catchin' my soul
Woman so weary, the sweet cause in vain
You make love, you break love
It's all the same
When it's, when it's over, mama
Music, sweet music
I wish I could caress, caress, caress
Manic depression is a frustrating mess
Well, I think I'll go turn myself off,
And go on down
All the way down
Really ain't no use in me hanging around
In your kinda scene
Music, sweet music
I wish I could caress, caress, caress
Manic depression is a frustrating mess
Friday, December 06, 2013
Oh, Kanye Part 2: That Confederate Flag (in context!)
Now might be the moment to take a look at the Confederate flag in context -- something that most people aren't willing to do.
Everyone was flying a lot of flags in the South during The Civil War. (Please note: This war has a lot of names. Many Southerners refer to it as the War of Northern Aggression because according to them, it wasn't a war. It was an invasion. Most of their black counterparts called it The Freedom War. You get the idea.) The Confederate flag as we know it (also known as "Stars and Bars") actually originated as the battle flag of the Army of Northern Virginia under General Lee. There were three official Confederate flags to represent the new nation, none of which resembled the battle flag. To add to the confusion, each Southern state created their own flag. All this flag waving was more than confusing, especially in battle. It was General PGT Beauregard who came up with the idea of a peace flag and a war flag, so enemies could easily be recognized in the fray. He gave his assistant William Porcher Miles the task of creating the war flag. How he came up with it is more than interesting.
Inspired by the flags that he saw at the South Carolina secession convention in December of 1860, Miles -- who had been chair of the Committee on the Flag and Seal, conveniently enough -- came up with a blue St. George's Cross (also known as a Latin cross) on a red background, with white stars that represented each slaveholding state.
No surprise that he put the crescent and palmetto from South Carolina's state flag in the upper left corner.
This flag, however, is the one that was chosen.
Miles changed it to a St. Andrews Cross (the cross of Scotland, interestingly enough) to appease Southern Jews who didn't want any religious symbol to represent the nation. The number of stars changed according to how many states had joined The Cause.
Miles changed it to a St. Andrews Cross (the cross of Scotland, interestingly enough) to appease Southern Jews who didn't want any religious symbol to represent the nation. The number of stars changed according to how many states had joined The Cause.
Needless to say, because the Southerners lost the war and remained rebels who were deeply committed to the idea that the war was an ongoing situation, the battle flag -- also known as The Dixie Flag, The Confederate Navy Jack, The Southern Cross and yes, The Rebel Flag -- was the one that they wholeheartedly embraced.
As a Southerner by proxy -- that is, someone who is two generations removed from slavery -- I can't hold onto the Confederate flag in any way. For the life of me, I don't understand exactly what Southerners have to be so proud of. First of all, you lost. Yes, that's right. You lost the war. Yes, you fought valiantly. Yes, you have your brave war heroes, your majestic leaders. Even with all that greatness, you lost the war. It doesn't matter how many times you dissect, review and reenact the battles. You still lost.
There, I said it.
Secondly, you fought for states rights -- that is, the right to have slaves -- which *surprise!* was completely immoral. Thanks to the invention of the cotton gin in 1793, the growing abolitionist movement, Abraham Lincoln's election and a few other factors, the Southern antiquated social construct was eroding quickly. The end.
Last but not least, the antebellum South took their anger out on us -- wherein millions of black people were displaced, whole communities slaughtered, torture, violence and lynchings of black men, women and children was rampant and rape was commonplace. The state and local laws did nothing to defend or protect black people and the federal government did not intercede. Where is the pride in that?
We are not a monolithic people. I no more expect young Southern black folk to take up the Confederate flag en masse than I would expect to see all young Jews running around wearing swastikas and waving SS flags, because they know their history. That's what's missing in America -- a healthy dose of history and some real perspective. A lot of old black folks lived through it and way too many black youth don't know about it.
You want a strong dose of Southern/American history? Read Buried In The Bitter Waters: The Hidden History of Racial Cleansing in America by Elliot Jaspin and then tell me if you seriously want to wrap yourself in a Confederate flag.
A description from Goodreads: Leave now, or die! From the heart of the Midwest to the Deep South, from the mountains of North Carolina to the Texas frontier, words like these have echoed through more than a century of American history. The call heralded not a tornado or a hurricane, but a very unnatural disaster--a manmade wave of racial cleansing that purged black populations from counties across the nation. We have long known about horrific episodes of lynching in the South, but the story of widespread racial cleansingabove and below the Mason-Dixon line--has remained almost entirely unknown. Time after time, in the period between Reconstruction and the 1920s, whites banded together to drive out the blacks in their midst. They burned and killed indiscriminately and drove thousands from their homes, sweeping entire counties clear of blacks to make them racially "pure." The expulsions were swift-in many cases, it took no more than twenty-four hours to eliminate an entire African-American population. Shockingly, these areas remain virtually all-white to this day. Based on nearly a decade of painstaking research in archives and census records, Buried in the Bitter Waters provides irrefutable evidence that racial cleansing occurred again and again on American soil, and fundamentally reshaped the geography of race. In this groundbreaking book, Pulitzer Prize-winning journalist Elliot Jaspin has rewritten American history as we know it.
Next up: Oh, Kanye Part 3: That Confederate Flag and You
Everyone was flying a lot of flags in the South during The Civil War. (Please note: This war has a lot of names. Many Southerners refer to it as the War of Northern Aggression because according to them, it wasn't a war. It was an invasion. Most of their black counterparts called it The Freedom War. You get the idea.) The Confederate flag as we know it (also known as "Stars and Bars") actually originated as the battle flag of the Army of Northern Virginia under General Lee. There were three official Confederate flags to represent the new nation, none of which resembled the battle flag. To add to the confusion, each Southern state created their own flag. All this flag waving was more than confusing, especially in battle. It was General PGT Beauregard who came up with the idea of a peace flag and a war flag, so enemies could easily be recognized in the fray. He gave his assistant William Porcher Miles the task of creating the war flag. How he came up with it is more than interesting.
Inspired by the flags that he saw at the South Carolina secession convention in December of 1860, Miles -- who had been chair of the Committee on the Flag and Seal, conveniently enough -- came up with a blue St. George's Cross (also known as a Latin cross) on a red background, with white stars that represented each slaveholding state.
No surprise that he put the crescent and palmetto from South Carolina's state flag in the upper left corner.
This flag, however, is the one that was chosen.
Miles changed it to a St. Andrews Cross (the cross of Scotland, interestingly enough) to appease Southern Jews who didn't want any religious symbol to represent the nation. The number of stars changed according to how many states had joined The Cause.
Miles changed it to a St. Andrews Cross (the cross of Scotland, interestingly enough) to appease Southern Jews who didn't want any religious symbol to represent the nation. The number of stars changed according to how many states had joined The Cause.
Needless to say, because the Southerners lost the war and remained rebels who were deeply committed to the idea that the war was an ongoing situation, the battle flag -- also known as The Dixie Flag, The Confederate Navy Jack, The Southern Cross and yes, The Rebel Flag -- was the one that they wholeheartedly embraced.
As a Southerner by proxy -- that is, someone who is two generations removed from slavery -- I can't hold onto the Confederate flag in any way. For the life of me, I don't understand exactly what Southerners have to be so proud of. First of all, you lost. Yes, that's right. You lost the war. Yes, you fought valiantly. Yes, you have your brave war heroes, your majestic leaders. Even with all that greatness, you lost the war. It doesn't matter how many times you dissect, review and reenact the battles. You still lost.
There, I said it.
Secondly, you fought for states rights -- that is, the right to have slaves -- which *surprise!* was completely immoral. Thanks to the invention of the cotton gin in 1793, the growing abolitionist movement, Abraham Lincoln's election and a few other factors, the Southern antiquated social construct was eroding quickly. The end.
Last but not least, the antebellum South took their anger out on us -- wherein millions of black people were displaced, whole communities slaughtered, torture, violence and lynchings of black men, women and children was rampant and rape was commonplace. The state and local laws did nothing to defend or protect black people and the federal government did not intercede. Where is the pride in that?
We are not a monolithic people. I no more expect young Southern black folk to take up the Confederate flag en masse than I would expect to see all young Jews running around wearing swastikas and waving SS flags, because they know their history. That's what's missing in America -- a healthy dose of history and some real perspective. A lot of old black folks lived through it and way too many black youth don't know about it.
You want a strong dose of Southern/American history? Read Buried In The Bitter Waters: The Hidden History of Racial Cleansing in America by Elliot Jaspin and then tell me if you seriously want to wrap yourself in a Confederate flag.
A description from Goodreads: Leave now, or die! From the heart of the Midwest to the Deep South, from the mountains of North Carolina to the Texas frontier, words like these have echoed through more than a century of American history. The call heralded not a tornado or a hurricane, but a very unnatural disaster--a manmade wave of racial cleansing that purged black populations from counties across the nation. We have long known about horrific episodes of lynching in the South, but the story of widespread racial cleansingabove and below the Mason-Dixon line--has remained almost entirely unknown. Time after time, in the period between Reconstruction and the 1920s, whites banded together to drive out the blacks in their midst. They burned and killed indiscriminately and drove thousands from their homes, sweeping entire counties clear of blacks to make them racially "pure." The expulsions were swift-in many cases, it took no more than twenty-four hours to eliminate an entire African-American population. Shockingly, these areas remain virtually all-white to this day. Based on nearly a decade of painstaking research in archives and census records, Buried in the Bitter Waters provides irrefutable evidence that racial cleansing occurred again and again on American soil, and fundamentally reshaped the geography of race. In this groundbreaking book, Pulitzer Prize-winning journalist Elliot Jaspin has rewritten American history as we know it.
Next up: Oh, Kanye Part 3: That Confederate Flag and You
Wednesday, November 27, 2013
Oh, Kanye -- Part 1: That Confederate Flag
In an interview with AMP Radio, Kanye West said, "The Confederate flag represented slavery in a way. That's my abstract
take on what I know about it, right? So I wrote the song, 'New Slaves.'
So I took the Confederate flag and made it my flag. It's my flag now.
Now what you gonna do?"
Later in the same interview, he said, "It's colorless also. It's super-'hood and super-white-boy-approved at the same time."
When I heard about Kanye West's latest controversial explosion -- incorporating the Confederate flag into his tour merch designs as well as his personal life (wearing it as a patch on a green bomber jacket on a recent visit to Barney's) -- I thought it was a gag someone made up at The Onion. Things are going so well with this latest flap that he's opened a pop-up store in Soho that sells these Confederate items. While the irony of rednecks the world over lining Kanye's pockets by showing up at his concert and purchasing a t-shirt that bears the symbol of his ancestor's pain and oppression isn't entirely lost on me, there is much, much more to all of this that completely and utterly misses the mark.
Of course, we expect these "outrageous" antics from Mr. West, and while many (but certainly not all) are standing in what appears to be a long, long line to congratulate him on his latest bit of controversy, let's be clear on one thing: Kanye West is hardly the first black rapper to embrace the Confederate flag. Lil' Jon did this more than ten years ago -- and on the cover of his third album with The East Side Boyz, no less.
The picture is one of complete defiance. Look at that stance. There's nothing agreeable or subservient or compliant there. He is flanked by The East Side Boyz, their expressionless faces and white t-shirts further exaggerating Lil Jon's approach as well as the entire scenario. As the flag drapes his shoulders like a cape, Lil Jon is almost daring the viewer to take that flag away from him. Both of the flags in the background are on fire -- as if to counter the crosses that the KKK would burn "religiously" to intimidate black folk and other undesirables, he now burns their flag to intimidate them -- and he is on fire, too. He is burning it down, as it were -- symbolically burning down the old South and what those traditions represent while holding onto what it means to him. Very nearly lit from within with a kind of makeshift rage that some would want to call urban propaganda, and with that gleaming trademark dental work run amok, he is the living embodiment of what some consider to be The New South.
Kanye West, on the other hand, is from the Midwest (yes, he was born in Atlanta, GA but he left as a toddler, was raised in Chicago and is about to relocate to a Bel Air mansion). The flag may symbolize many things for him as an American and as an African-American but because it's not a part of his culture, he is far removed from it in a way that Lil Jon and The East Side Boyz are not.
He is also extremely well off, quite famous and insulated from much of the reality of (Southern) black life, so its altogether likely that there's a quite a lot that he's probably not aware of. It should also be noted that Lil Jon and The East Side Boyz -- along with several other black Southern rappers like Outkast, Ludacris and David Banner -- have used the Confederate flag in the recent past. Kanye, on the other hand, is flat-out selling it.
What did Lil' Jon say when the press questioned him about draping himself with what many consider to be a symbol of racism and hate? "I'm from the South. That's what it represents to me. We're Southern-born and raised. The flag is part of us. We look at it as just being proud to say we're from the South."
In a review of the CD, Lil Jon elaborated thusly: "As a Southern group, we chose to bring the issue to the forefront in our album packaging. We're basically mocking racists on one hand by wearing The Confederate Flag, but at the same time we're repping the South. Do you know how infuriating it will be for a redneck to see me, a black deadlocked rapper, wearing The Confederate Flag around my shoulders? It's almost as bad as me dating his daughter. The Confederate Flag ain't going nowhere. It's part of Southern life and a reality of where we're from. Getting rid of the flag will not get rid of racism. Our album cover was our way of burning The Confederate Flag and all the racist mentality that comes with it; but we're also wearing it to show our love for The South."
Lil Jon went on to say this: "The flag is a symbol and people attach their own meaning to it. To me The Confederate Flag is just that, a flag. We grew up seeing that flag everywhere. It's more offensive to the older Southern black folks who understand first-hand what the flag symbolizes, but I don't think younger folks view the flag in the same way."
Furthermore, Lil' Bo, one of the East Side Boyz, said: "Being born in the South, the flag has a different meaning for me than it would to people who aren't Southern. On one hand, I know a lot of lives were lost on both sides over it, but on the other it's a symbol of racial hatred that Black people in the South want to forget. It depends on which side of the line you're on."
Even if Lil Jon and The East Side Boyz did this as some sort of marketing ploy that would differentiate them from the rest of the Southern hip-hop herd and sell more albums, it makes the powerful statement that Kanye's flag-waving cannot because it's coming from young Southern black men. For Lil Jon, waving this flag carries the weight and meaning and rebel intensity for which it was initially intended -- and in doing so, it is innately subversive.
In the next installment of Oh, Kanye -- Part 2: That Confederate Flag, we'll do the unthinkable and look at the flag in context.
Later in the same interview, he said, "It's colorless also. It's super-'hood and super-white-boy-approved at the same time."
When I heard about Kanye West's latest controversial explosion -- incorporating the Confederate flag into his tour merch designs as well as his personal life (wearing it as a patch on a green bomber jacket on a recent visit to Barney's) -- I thought it was a gag someone made up at The Onion. Things are going so well with this latest flap that he's opened a pop-up store in Soho that sells these Confederate items. While the irony of rednecks the world over lining Kanye's pockets by showing up at his concert and purchasing a t-shirt that bears the symbol of his ancestor's pain and oppression isn't entirely lost on me, there is much, much more to all of this that completely and utterly misses the mark.
Of course, we expect these "outrageous" antics from Mr. West, and while many (but certainly not all) are standing in what appears to be a long, long line to congratulate him on his latest bit of controversy, let's be clear on one thing: Kanye West is hardly the first black rapper to embrace the Confederate flag. Lil' Jon did this more than ten years ago -- and on the cover of his third album with The East Side Boyz, no less.
The picture is one of complete defiance. Look at that stance. There's nothing agreeable or subservient or compliant there. He is flanked by The East Side Boyz, their expressionless faces and white t-shirts further exaggerating Lil Jon's approach as well as the entire scenario. As the flag drapes his shoulders like a cape, Lil Jon is almost daring the viewer to take that flag away from him. Both of the flags in the background are on fire -- as if to counter the crosses that the KKK would burn "religiously" to intimidate black folk and other undesirables, he now burns their flag to intimidate them -- and he is on fire, too. He is burning it down, as it were -- symbolically burning down the old South and what those traditions represent while holding onto what it means to him. Very nearly lit from within with a kind of makeshift rage that some would want to call urban propaganda, and with that gleaming trademark dental work run amok, he is the living embodiment of what some consider to be The New South.
Kanye West, on the other hand, is from the Midwest (yes, he was born in Atlanta, GA but he left as a toddler, was raised in Chicago and is about to relocate to a Bel Air mansion). The flag may symbolize many things for him as an American and as an African-American but because it's not a part of his culture, he is far removed from it in a way that Lil Jon and The East Side Boyz are not.
He is also extremely well off, quite famous and insulated from much of the reality of (Southern) black life, so its altogether likely that there's a quite a lot that he's probably not aware of. It should also be noted that Lil Jon and The East Side Boyz -- along with several other black Southern rappers like Outkast, Ludacris and David Banner -- have used the Confederate flag in the recent past. Kanye, on the other hand, is flat-out selling it.
What did Lil' Jon say when the press questioned him about draping himself with what many consider to be a symbol of racism and hate? "I'm from the South. That's what it represents to me. We're Southern-born and raised. The flag is part of us. We look at it as just being proud to say we're from the South."
In a review of the CD, Lil Jon elaborated thusly: "As a Southern group, we chose to bring the issue to the forefront in our album packaging. We're basically mocking racists on one hand by wearing The Confederate Flag, but at the same time we're repping the South. Do you know how infuriating it will be for a redneck to see me, a black deadlocked rapper, wearing The Confederate Flag around my shoulders? It's almost as bad as me dating his daughter. The Confederate Flag ain't going nowhere. It's part of Southern life and a reality of where we're from. Getting rid of the flag will not get rid of racism. Our album cover was our way of burning The Confederate Flag and all the racist mentality that comes with it; but we're also wearing it to show our love for The South."
Lil Jon went on to say this: "The flag is a symbol and people attach their own meaning to it. To me The Confederate Flag is just that, a flag. We grew up seeing that flag everywhere. It's more offensive to the older Southern black folks who understand first-hand what the flag symbolizes, but I don't think younger folks view the flag in the same way."
Furthermore, Lil' Bo, one of the East Side Boyz, said: "Being born in the South, the flag has a different meaning for me than it would to people who aren't Southern. On one hand, I know a lot of lives were lost on both sides over it, but on the other it's a symbol of racial hatred that Black people in the South want to forget. It depends on which side of the line you're on."
Even if Lil Jon and The East Side Boyz did this as some sort of marketing ploy that would differentiate them from the rest of the Southern hip-hop herd and sell more albums, it makes the powerful statement that Kanye's flag-waving cannot because it's coming from young Southern black men. For Lil Jon, waving this flag carries the weight and meaning and rebel intensity for which it was initially intended -- and in doing so, it is innately subversive.
In the next installment of Oh, Kanye -- Part 2: That Confederate Flag, we'll do the unthinkable and look at the flag in context.
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