Sunday, March 13, 2011

Press Release for The Field's EAR Showcase

here i sit, running lines and slowly working my way through blocking in my harlem apartment before i head to chelsea in a few hours to rehearse with ken roberson for next week's showcase. i can't believe this residency is almost over. it feels good, shockingly achingly good, to have something meaningful and substantial to show for my time and effort. after this, onto the next -- but what a lovely moment i've had, tromping all the way to the west side through the freezing cold and the filthy snow to a warm emotionally/creatively safe place to explore my freshest ideas and make art.

the press release is below. one performance only. and yes it will get videotaped.


The Field Emerging Artist in Residency Showcase

Monday March 21st, 7:30pm

The Kitchen, 512 West 19th Street NY, NY

Tickets: $15, advance and at the door

Information and Tickets:

The Field Emerging Artist Residency showcase proudly presents the performance work of Queen Esther, Maija Garcia/Organic Magnetics, Sara Zimmerman, Josselyn Levinson Dances, Yanghee Lee, Marie Christine Katz and Becky Radway Dance Projects at The Kitchen, Monday March 21st at 7:30pm. These seven unique artists present and array of new work drawing from diverse artistic and cultural backgrounds. The products of an extensive community driven feedback process, these in depth and carefully crafted performance works ranging from contemporary dance, physical theater and performance art promise a thought provoking and compelling evening of new work.

Queen Esther presents a segment from her one person show currently in development, “The Big Payback” – a comedic socio-political romp about reparations, directed by Ken Roberson with music by Jon Diaz. Through sound and vision, storytelling, song and dance, “The Big Payback” takes the viewer through the history of Africans in America as 7 characters – a Japanese-American grandma, a socially downward Harlemite, a jaded Alabama housewife, a Native American tribal leader, a Boston dock worker, an overachieving ATL-ien and a Serbian “dancer” in Brighton Beach – reflect on their disparate yet somehow intertwined experiences and how the idea of reparations has touched each of their lives intimately. Collectively, they speak to the notion of what is owed and to whom and why.

Josselyn Levinson Dances presents an excerpt from her dance theater work “Itemized”. Blurring the line between installation, theater and contemporary dance, “Itemized” explores the affects of materialistic accumulation in our society. Set against a backdrop littered with receipts and a sound score of live text and pop music, “Itemized” asks, how much do we need in order to feel whole?

Sara Zimmerman presents Big Exit, a physical theater performance created in collaboration with Eliza Ladd. The piece is a theatrical love letter to all the human beings who feel stuck in dead end jobs and dream of flight. Big Exit celebrates the strange and beautiful ways imagination and fantasy can lead to escape!

“The three seconds” presented by Yanghee Lee / The Limbo Project, is derived from the vocative effects of displacing the human bodies in one space to another, including the potential effects of their exterior or interior movements. This multi-faceted happening utilizes the elements of sounds from the human bodies, and non-narrative physical movements act as an installation in different formats which are part of the 'accumulation' in time and space. These hybrid associations are encountered for their aesthetic properties, moment to moment, as conceptual signifiers carrying a light of connotations.

Marie Christine Katz’s new work, "Unravel”, invites you to enter into a universe where your imagination weaves together the threads of a different reality.

Becky Radway Dance Projects presents an excerpt of “Palisade”, a new work that encloses the performers in a fully palpable environment by reining them in with audience on opposing sides and a movable fence structure. Delving into the intimate encounters created by this enclosure, the work is filled with tactile investigation, assisted movement, and animalistic exploration.

Majia Garcia’s Organic Magnetics, comprised of artists from Cuba, Trinidad, Mexico, Germany, Nigeria, Japan, Canada and the US, presents “Co-Incidence”. A study of overlapping patterns; an experience of time as a cycle that connects us all by the migration stories of our ancestors. Identifying hidden layers that compose and expose the diverse and complex culture of NYC, “Co-Incidence” asks who we are, where we come from, and how we all ended up here in this melting pot- by force or choice; by boat, train or plane? And what do we do with the stories? Stir it up!

About The Field

Founded by artists for artists, The Field is dedicated to providing strategic services to thousands of performing artists and companies in New York City and beyond. From fostering creative exploration to stewarding innovative fundraising strategies, we are delighted to help artists reach their fullest potential. Now in our 25th year, more than 1,900 performing artists come to The Field each year to build their businesses. Each year 2,000+ new art works are developed under our stewardship, and our services are replicated in 11 cities across the U.S. and Europe. In tandem with this significant growth, we remain true to our grassroots origin and artist- centered mission to: strategically serve the myriad artistic and administrative needs of independent performing artists and companies who work in the fields of dance, theater, music, text, and performance art. Field services include career-building workshops (grant writing, touring, internet strategies, etc.), fiscal sponsorship, creative residencies in New York City and out of town, and Membership benefits. See our different program offerings at


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