Friday, October 10, 2014
My next t-shirt...
I seriously love this -- but where's the black female version? Black women are killed by the police, too. Doesn't everyone know who Eleanor Bumpurs is? Don't get it twisted. The police shoot black people. Period. Yes, they shoot black children. And they get away with it.
Get your t-shirt here. You're welcome.
Saturday, September 20, 2014
Quote of the Day: "I'm not watching all-white movies anymore."
I’m wasting rent money on these films that purposefully exclude me. Why would I do that? That’s completely insane.
If I took that $1200 every year and put it in my savings account I could invest in my own original content. I wish I’d thought of doing this years ago. I’d probably be directing a feature film by now. But as they say, there’s no time like the present."
Friday, March 21, 2014
Saturday, May 11, 2013
Ten Things Every Black Woman Should Have If She Lives in New York City
If I didn't have all of these things, the quality of my life in New York City would take a decidedly downward turn. FYI: This list is not in order and it's totally in flux. Next week, it could morph into something else.
- A strong sense of personal style -- By now, you should know the difference between fashion (what trends/a clothing designer/your favorite pop star tells you to wear) and style (self expression). You and your closet shouldn't be at the mercy of what's in or what's out. I'm aware of what's fashionable and a lot of it looks like (expensive) fun but if I can't look like myself when I put my clothes on, what's the point. As a performer, I'm in the business of expressing myself. Being me when I get dressed is the natural order of things so maybe there's an unfair advantage in there somewhere. New York City is the place where your individuality is an asset because it sets you apart from the common herd. Then again, if you really don't love yourself enough to be yourself in the first place, the wheels are going to come off that bus pretty fast.
- Excellent physical health -- You don't have to be in peak physical condition to live here but trust me, it helps. When I moved to Harlem, I lost weight and stayed lean in part because I suddenly found myself walking and riding my bike everywhere. It was a drastic change from a place like Atlanta, for example, where everyone drives everywhere for anything. Even going up and down the stairs to get on and off the subways will wear you out, if you do it on a regular basis. Then again, you can jump in and out of cabs to get around -- if you can catch one. Aside from all that, being sick can be pretty expensive -- and what with all the money you're already throwing up in the air to live here, you really don't want to spend more on something that possibly could have been prevented.
- A friend in the Garment District -- When what is fashionable and trendy loses its luster, it gets sold -- sometimes for as much as 90% below what you would have paid when it was on the rack. You can sign up for alerts for sample sales to your favorite designers -- but if you know someone who works there (and what with six degrees of separation, you probably do), they can let you into the sale before it happens.
- A spiritual life
- A strong connection to your family (how ever you define it) and your community (the world your family lives in).
- A sister who will (lovingly and tactfully) tell you the truth and a brother who will always have your back.
- Your Own Private Hair Guru -- I don't care what you've got -- a tight weave, a closet full of wigs, a blow dryer that's your hair's best friend or a T.W.A. When it's time to get your hair done properly, you've got to have your go-to person on speed dial. They're affordable, they're convenient and they usually know your hair better than you do. You didn't open a phone book to figure this out. You asked a sister and she told you what's up. Black folks live and die by word of mouth. Period.
- A well worn passport -- The importance of traveling internationally need hardly be stressed. Get out there. See the world. It will change your life. (Start here.)
- A museum membership -- This is quite literally the gift that keeps on giving. There are hundreds of museums, cultural sites, historical establishments and the like in New York City. Most of them are internationally recognized and much lauded, and quite a few are trendy little hotspots. Some of them offer memberships. If you join at a certain level -- and yes, you can write most of your fee off on your taxes -- that's where the fun begins. There are events, parties, galas, previews for openings and lots of other exclusive diversions, not to mention added discounts and free passes to other museums all over the country.
- A diverse group of friends that includes at least one WASPy looking white guy -- Because when your fun night is over, someone has to put you in a cab. When there's some flak in any given social situation, someone has to smooth things over. And if there's a "problem", someone has to talk to the police -- and you and I both know that probably shouldn't be the black man in the room.
Tuesday, December 20, 2011
i'm the decider!
Source: confident-beautiful-motivated.tumblr.com via Gretchen on Pinterest
i've turned a corner.
i don't know exactly when it happened. i don't know what triggered it. i don't know when all of it hit me, full on. maybe it was boxing. taking myself to my absolute limit physically every day definitely changed me from the inside out. maybe it was the clean program. so many days of deliberately eating unprocessed, healthy, organic food -- no caffeine, no salt, no sugar, no junk food, no corn, no peanuts, no dairy, no nightshade vegetables, no wheat gluten, no pork or beef or seafood -- for weeks on end. it must have shaken something loose in my soul. or maybe its all the vintage tea dances and parties and cool events and such -- glowy moments that transport me into another time and place, whether i want to go or not.
as if all of that weren't enough, i have an avalanche of unconditional love in my life that overwhelms the most mundane moments in my day to day world -- and he's right by my side.
apparently while i was beating myself up about not being able to do a military push up, my life pulled me up to this whole other level. something clicked when i read the quote above. like gabby, i made the decision to get off the couch and get physical. i made up my mind to eat healthy. i wanted to have more fun on my own terms. sure -- getting dressed up in vintage clothes and going to a tea social and dancing to music from the 20s and 30s isn't everyone's idea of a good time but it makes me very, very happy. so, nuts to you.
maybe that's the whole point: nuts to you.
it's a beautiful thing, to subconsciously focus only on the things that really matter until everything else grows strangely blurred -- and i'm left wondering why i cared about any of that stuff in the first place.
and that's another thing: there is something powerful and life-affirming to be said for gabourey sidibe having the guts to make that statement to herself, to decide that she is beautiful, when practically everything in the world is telling her -- and every other black woman on the planet -- that she is not. there's a reason why, in a recent allure magazine survey, black women were three times as likely to rate themselves as "hot" than their caucasian counterparts. that makes perfect sense to me.
i don't have anything out there in the world that's validating what i see when i look in the mirror, so i make my own world. i have my own beauty standards and regimens, my own beauty ideals. my own beauty icons. and as i surround myself with these things and more, my self-confidence grows and grows and grows.
did chris rock say it best? why yes, he did.
i know how -- i decided! -- but i don't know when i got to this stronger, healthier, happier, more beautiful place in my life. all i know is that i'm pressing on, the upward way. and i'm grateful.
Friday, April 22, 2011
smart beauty!
this is the reason why subconsciously i'm always on the lookout for things that work specifically for me, beautywise. just about every sister i know constantly falls into the habit of interjecting tidbits about something they've discovered that works, no matter how casual or convoluted the conversation happens to be. and it's almost always a big fat wow moment. we're all so excited to find something, for us. clearly, we're behind enemy lines and we're dissecting information and sharing it and passing it along to help each other as best we can. it's like we're in a secret society of some sort. finally coming to terms with the way we look and finding ourselves beautiful on our own terms is a subversive act.
you know what? that's exactly what it is.
to be black and to dare to think of yourself as beautiful is to defy everything that this culture says that you are, that you should be. it's almost as though every single day, every black woman assembles herself visually in her own way and moves forward with this singularity of thought, somewhere in the recesses of her soul. i am beautiful -- not because of you, not in spite of you. i just am.
imagine my surprise when a survey from essence magazine confirmed all of this, and more.
last week, essence presented smart beauty V, which basically gave the beauty industry a glimpse into the mindset of the african-american beauty consumer. they decided to do this by presenting the four archetypes that their survey revealed in the form of four actresses that embodied those ideals. we were placed amongst the audience as they watched the presentation, listened to the panel, had breakfast and took notes. as the descriptions were given, we presented ourselves. to tell you the truth, it felt like performance art. what better way to get your point across than to have it come alive before you. and come alive, we did. it was fun!
here are the four archetypes.
the first is queen bea. her beauty motto: "beauty is a strategy." what does she want? brands with proven results, expert advice and organic and natural ingredients. her quote: "i am always willing to pay a premium for beauty products that have lasting results."
the second is sheree de la sol. her beauty motto: "beauty signals to the world that i have arrived." what does she want? prestige, innovation and anti-aging techniques/products. her quote: "i use my beauty to express that i've made it."
the third is amber b. free. (yep, that was me.) her beauty motto: "beauty is a celebration of me." what does she want? products (preferrably organic) specifically created for me, good price points and value. her quote: "I do not follow beauty trends."
the fourth is jane jones. her beauty motto: "beauty should be simple." what does she want? simplified options, inspiration and guidance. her quote? "i buy fragrances endorsed by celebrities i like."
although the facts they presented definitely raised my eyebrows, one thing was crystal clear: for african-american women, beauty is unconditional.
- a whopping 84% of african-american women agreed with the statement, "i think i am a beautiful woman" vs 41% of the general market.
- how about this one -- 58% of african-american women agreed with the statement, "i'm always proud of my looks" vs 22% of the general market.
- this really blew me away: african-american women spend a whopping $2.6 billion on beauty products. sisters, that is quite a lot of cheddar.
still and all, there are more special moments than i'd care to reveal. like traipsing past several beauty counters in greenbriar mall -- arguably the blackest shopping spot in the atl -- and having mpb ask rhetorically why did all of the ads at every counter have white women in them. or slathering on raw shea butter onto my backside in the gym and having some white woman remark to her white friend that if she put any of that grease on her skin, she'd have acne everywhere, and why was i doing that. or approaching a beauty counter and having the makeup expert not have any foundation for me. or not know how to contour my face.
oh, i could go on. but you get the idea.
as we left the w hotel that morning after the event, i murmured to my three compatriots, "i feel a little blacker, ladies. how about you." and they all laughed. because really, we all did. it couldn't be helped. for one bright shining moment, someone stood up and said it, and it all came together beautifully. i think i probably floated to my boxing session, high heels and all.
maybe someday i'll be rich and famous. maybe i won't. who knows. no matter what happens, i'm not going to believe that i've really made it until i'm on the cover of essence.
Thursday, February 03, 2011
shirley chisholm, we need you
ah, shirley chisholm -- the first black woman elected to congress, the first major party black candidate to run for president and the first woman to run for the democratic presidential nomination. she was also an educator and an author, and (in my opinion) a gifted orator. if you haven't seen the 2005 documentary shirley chisholm: unbought and unbossed, you are missing out on something truly spectacular: the awesome visual of a black woman, unflinching and surrounded by hippies, feminists, young voters -- with presence and poise, an absolute powerhouse -- as she delivers the goods.
here's the trailer for the documentary.
...and here's a few wise words from mrs. chisholm herself.
Friday, June 04, 2010
hair apparent
frankly, i was totally shocked that they wanted to see me again because i didn't wear a wig. i was totally going to wear a wig. i was planning on it. i had it all picked out and everything. even my agent told me to wear one. (think about that.) should i wear a wig or not, i asked her assistant innocuously and i could hear her yell out in the background, wear a wig! like she was a little kid in class and she had the right answer and she had to just let it out.
wear a wig! that little phrase reverberated all the way through the rest of my afternoon like an echo. i made every effort to make it happen. and therein lies the rub. doing my hair is an all day event. the longer it gets, the more upper body strength i need. they called me in the middle of the afternoon to let me in on the audition that was happeing the next day. no bueno. i wore myself out with a 14+ mile bike ride and a thorough gym workout that's still kicking my butt. i had the strength to ride home after class, to make a spectacular dinner, to houseclean. but i simply didn't have the strength to do my hair. again, no bueno.
and you know what? this is impossible to explain to anyone except other black women out there with a head full of healthy natural hair. if you're not in that particular group, i honestly don't expect you to "get" what i'm saying. it's just hair, some idiot said to me last week. no, it's not. in certain situations, it's a fairly bold political statement. and here's why.
my hair was (um, i mean is) a freshly undone and filthy, tangled, glorious mess of raw heavyness. it is a mystery and a wonder. it is indignant. it is unapologetic. it is relentless. it is unforgivable. indeed, it is the epitome of what i like to describe as unforgivable blackness. my hair is a highly visible societal indicator, the one thing i've got that shows my compliance to the powers that be. to walk into a situation with this african face and hair so raw and full that african cab drivers give me the dap as i traipse up the block means that when i show up, i will be considered suspect, no matter how shiny my penny loafers are.
you have to think about this stuff when you audition for commercials. you have to think about everything. they will type you out in a flash, solely based on what you look like. and exactly where are they getting the idea of what they think i should look like, as a black woman? you tell me.
good thing they caught me at a weak moment -- too weak to wash my hair. oy! and oh yeah. i thought i did a super crappy read.
Monday, August 31, 2009
In Defense of Black Women, Black Hair and Michelle Obama (...not that they need it...)
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I’m going to try to make this brief.
After a lifetime of ostracism, ridicule, genuine curiousity (from American black folk, even -- walking up to me and touching my hair and asking me a million stupid questions!) and much humiliation and degradation all around, I have natural hair – and yes, I’ve had it for quite some time. I vascillated with hair choices for awhile when I first came to New York City, but then I got a plum role in the original cast of the first national tour of RENT and signed a hair rider that allowed them to do whatever they wanted to my hair, within reason. in this case: perm my hair – and then bleach the hell out of it, to give it a look that they thought was “edgy” and “cool”. (Because apparently, nothing is edgier than a black woman who dyes her hair blonde. Especially if you're European.)
Yes, I was financially compensated for this hair rider. Was it worth it? Well, hair does grow back. Eventually. It’s an awfully long wait until it does. To paraphrase Tom Petty, The waiting is the hardest part. I remember going to bed in tears when all of it started falling out in bright yellow clumps. (sigh.) But that wasn't my moment of natural hair clarity. Truth be told, I decided that I wanted natural hair after my mother accidentally dropped a large smoldering boiling lava hot straightening comb on the back of my neck when I was 8 or 9 years old. I couldn’t do anything about it until I grew up. That’s right: my mother continued to straighten my hair until I was out of her jurisdiction. Would it surprise you to know that I shaved it all off when I hit college? (Ah, the good life...)
That hair meltdown in RENT wasn't the beginning of the end, it was the last straw. I actually had bald patches and scabs on my scalp when I left the show. More on that some other time.
I should probably tell you that I’m from the South – the ATL, to be exact – and that, for pretty much all the black women that I knew as a kid and as I grew older, natural hair was the exception, NEVER the rule. The understanding was that you weren’t presentable unless your hair was bone straight, without a hint of kink. Don’t get me wrong. Every once in awhile, you’d see someone with an Afro but it wasn’t condoned and it wasn’t EVER anything to aspire to. Dreadlocks? Unthinkable.
I have returned to the South more often than I care to admit and walked through black malls and stores and shops and eateries and whatnot, and I have had conversation come to a stone cold stop when they get a look at my natural hair, no matter what it’s doing. Black folk will stare at me, they will point at me – like I’m a walking freakshow, on display. Please understand me and don’t get it twisted: these magic moments didn’t happen 20 years ago. They happened last Christmas.
Are there black folk down South with natural hair and dreadlocks and such? Why, yes. But in my experience, it’s the exception, not the rule. It’s not common. Not by a long shot.
And if I had a dollar for every time a black man gave me hell because I insisted on having natural hair – from my 92 year old daddy to the guys I went to college with and then some – I could probably buy the apartment building I live in.
Should I bother telling you that I have yet to meet, date, make out with, casually pass by in the street or otherwise involve myself with any white guy -- gay or straight, foreign or domestic or any other variation therein -- who doesn't love my natural hair just the way it is, whatever it happens to be doing? Yeah, I probably shouldn't mention that. Let's just pretend I didn't say it.
Maybe this is a Southern thing. Maybe this is a black thing. Maybe it’s me. I don’t know.
How I got from that “bone straight” mentality to a totally natural Afro of near Angela Davis proportions that now rests comfortably on my head like a well-earned crown is a story that will probably make a great movie someday. My point is, I have struggled with my hair, and in my personal and professional life, I have had to contend with others who struggled with it, too. And in so doing, they struggled with me.
So it was with genuine interest that I read Tonya Steele’s empassioned note “In Defense of Michelle Obama (not that she needs defending)” http://www.facebook.com/ho
Tonya was ranting and raving and she was very angry, and in her anger she was a roman candle of sorts, touching on a lot of different issues that sparked me -- way too many points to address in one fell swoop. The one thing that she said that clicked with me was what she said about black folks and low self-esteem. So, away we go.
There’s been a lot of wonderful things floating around out there about Michelle Obama. The thing that always makes me cringe is that when there’s an avalanche of love and respect for any public figure, the backlash (which is inevitable, by the way) swings just as hard in the other direction, and people find reasons to lash out at them and rip them to shreds with the same boundless energy that they used to throw their arms wide open and celebrate them.
This is especially hard to take because it’s a black woman in the crosshairs – and it ain’t Lil’ Kim this time, with a three foot wig on her head and her titty hanging out with a pastie over the nipple. It’s someone that’s a whole lot like me and my black female friends and acquaintances. Truth be told, Black women like us aren’t supposed to exist. In the entertainment industry/media, we are anomalies to everyone except Tyler Perry. And suddenly one of us breaks through the claptrap, holds the media transfixed and captures the imagination of the world. So of course, this is a hot topic.
But the backlash is coming. Look at the way conservatives jumped all over that moment Michelle had with the Queen of England. They’re coming for her. And don’t think that she doesn’t know it.
But I digress.
Michelle Obama is a public figure. Because of this, absolutely everything she says and does matters a GREAT deal – from the shoes on her feet to the hair on her head to what she likes to snack on in the middle of the night. Get this, loud and clear: It matters, it matters, it matters. A bigger part of the reason why it matters so much is because it reverberates around the world ten thousand-fold –in retail sales, in goodwill and most definitely in attitude, and of course in images/photo ops. And as you well know, a powerful image can change the world.
Lets face it – her presence alone has been enough to shock the hell out of most people. If she had natural hair, it would start a revolution.
Are black women free to do whatever they want to do with their hair? Well – theoretically, yes. We all have free will, we can all do whatever we want within reason. But black hair has always been political and a place of contention because it’s the most obvious way that we as black women have to show the world that we are conforming and yielding to the status quo and what it dictates as acceptable and/or beautiful. Don’t believe me? Sisters who are working their way up the corporate ladder or who make a living in a corporate world know exactly what I’m talking about. Ask one of them if I’m wrong. Your natural hair is unacceptable in that environment because it’s considered a threat – and thusly, by default, so are you.
Is anyone in that conservative company going to tell you that? Of course not! That would make it too easy for you to sue the living daylights out of them and stage a Putney Swope-style takeover of your own. (Hm. Another screenplay idea…I’m full of them today…)
This isn’t the kind of thing that you necessarily have to think about if you are an artist, or if you own your own business or if you are a musician – unless you’re in front of the camera. As an actor, I think about it a lot because what my hair looks like dictates whether or not I get the gig. Interesingly enough, casting agents love the Michelle Obama look – so if I go into the audition with a wig that looks like her hair and some pearls, they’ll be more inclined to cast me than if I showed up with natural hair. Talent be damned. It’s all about the black woman they know, the one that they’re comfortable with. It’s not about the individual.
Think about it. Can you name any black actresses in Hollywood with natural hair – besides Whoopi? Essence Magazine – the premiere black women’s magazine in this country, by the way – did a story about Black Hollywood actresses. Not a kink in the bunch. And can i just tell you how profoundly disappointed i was when my friend Ralph gifted me with a bunch of African women's magazines from his Christmas trip to Africa -- and they ALL had perms and weaves!
Not that there's ANYTHING wrong with that...but dang.
How about R&B stars, black pop stars? When was the last time you saw a black music video that featured natural hair? You’re thinking about Erykah, or maybe Lauren. Right? It's not that there isn't ANY natural hair out there. It's just that usually, it's the exception. It's not the rule.
If you’re on camera, you’re probably conforming, too -- just like the black folks who have to work on a corporate plantation. At the very least, you’ve come to that fork in the road and figured it out one way or the other. I know I have.
(If you're on facebook, check out my facebook profile pic. Yup.That’s a wig.)
That corporate illustration is just one example of what I’m referring to. There are many, many more.
Here’s the thing that gets me. Over the years, I’ve had long winding conversations with black women who are downright terrified of not straightening their hair anymore because to quote one friend, they don’t know what they’d look like if they did. Like all of a sudden, she’s going to turn into some sort of beast because her weave and her perm is gone. But what she’s really afraid of is that this is the way the world would treat her. Like a beast. It’s not just what she sees when she looks in the mirror. This reverberates all the way through every aspect of her life – from that corporate desk job to the brother that’s interested in her to the church she attends. When you care what everyone thinks, all of that stuff matters. Please believe me – there are plenty of black women out here who care a great deal as to whether the brother in question finds them attractive and are perfectly willing to do whatever they have to – hairwise and otherwise – to secure him.
Caring what everyone thinks reeks of low self esteem. That’s really at the heart of it all.
No black woman should hate their hair in its natural state or feel as though they are diminished or somehow lesser than because they don’t have a perm. The truth is, way too often in this day and age, this is the case. I’m insulated from having to deal with a lot of that junk because I’m an artist and I live in NYC. And yeah, I love it that black men are making these declarations about loving natural hair and all but if you’ve really got your head together, there’s no need to feel compelled to control or manipulate black women by telling them what to do with their hair. Or verbally abuse them. Or emotionally abuse them. Or physically attack them. Or denigrate them in any way.
Then again, I think that low self esteem/emotionally damaged people are the reason why a lot of things in this world are askew.
In closing, to paraphrase Tony Brown’s Journal: This is just one black woman’s opinion. Thanks for reading this. And thanks to Tanya for inspiring it.
Thursday, January 29, 2009
a panel discussion in brooklyn about black women?
Moderated by Elvis Mitchell, film critic and writer of the HBO award winning film, The Black List Project, this panel will discuss how race, history, and individual striving have shaped Black Women’s stories of success, as well as what the next four years might hold for Black women now that Michelle Obama and her daughters have moved into the White House. Panelists include: Thelma Golden, Director and Chief Curator of the Studio Museum of Harlem; acclaimed artist Lorna Simpson, who is featured in the Black List Project; and Lola Ogunnaike of CNN’s American Morning.
For more information, click here.
Saturday, July 19, 2008
CNN: Black in America
i have a bad feeling about this one.
what makes this especially frustrating is that i've received at least a half-dozen email blasts encouraging any black anybody to see it. i'm going to make every effort to watch both specials with an open mind.
first up: the black woman and family, on hdtv wednesday july 23th at 9pm.
Tuesday, July 15, 2008
high fashion, real progress and black beauty
according to the editor franca sozzani, this move was inspired by many factors, most notably the rise of senator obama and the change that seems to be swirling in the air in america, and his smart, attractive and fashionably on-point wife michelle. but there was more. evidently when former agent/mother of kadeem hardison/legendary former 60's model bethann hardison held a 3 day forum on the lack of diversity in the fashion industry last fall, ms. sozzani took notice and was inspired enough to want to do something about it. by february, she and stephen meisel (the photographer behind madonna's book sex) were talking about the possibility of an all black issue and a short time later, they were off to the races.
there was a lot of speculation about this issue: who would be on the cover (that all important question); who would be prominently featured (and how); and most importantly, the impact of the statement that an all black issue from such an influential stylemaker would make on the rest of the fashion world. i looked forward with heady optimism to the rush of being able to open a world-class magazine and see an array of beautiful black women.
then for some strange reason, something in me began to sour on the idea of it, and the more i thought about it, the more unsure i became about its positive outcome.
the last time i was overwhelmed by one black model after another after another, it was when vicksburg mississippi native patrick kelly ruled the runways. remember him? i could glimpse so much of my black southern self in everything he did because he never apologized for who he was. he reveled in it. he ran around in overalls all the time. he gave away little pickaninny dolls -- symbolic of at all of his fashion events, so much so that they became his totem. he amassed a large collection of black dolls, actually. when he used white models, he put them in blackface and put their hair in plaits to make them look like some racially inverted version of topsy. and those mismatched buttons? he said he got that from his grandmother, who couldn't always find buttons that matched when it was time to mend his clothes when he was a child.
as the legend goes, mr. kelly's grandmother brought home a fashion magazine one day when he was 6 years old. when he asked why there were no african-american models in it, she told him that fashion designers didn't have time for black women. and so mr. kelly decided that someday he would do something about that. oh, boy did he ever.
when fashion designer willi smith of williwear -- brother of the infamous toukie smith -- died of pneumonia at 39 in 1987 that was a huge loss. when mr. kelly died of AIDS in 1990 at the age of 35 at the peak of his career, i knew that it was the end of an era. yes, other black designers would appear. but that flood of black models everywhere? not a chance.
with no patrick kelly at the helm to infuse his southern blackness everywhere, i had to acknowledge 3 things as i looked at the preliminary pictures of the july issue:
- when we as people of color are in control of our image -- when we photograph ourselves, design the clothes, style the shoots and make the pertinent choices (like who's going to be the model for this shoot?) -- those images are unlike the images that our counterparts would create of us. that led me to another thought...
- these are europeans creating and manipulating images of africans/african-americans/people of color -- not africans/african-americans/people of color making those images of themselves. if andre leon talley or bethann hardison had the opportunity to be a guest editor and create something like this, it would probably look a lot different than what vogue italia has done.
- exactly who worked on this issue? were there any african-american consultants/stylists/fashion designers involved? were any black people in high fashion a part of the decision-making process? were there any black consultants?
in the end, who is this really for, exactly? is this issue for the fashion world, to show them that black really is beautiful, that there are many black models available for work, that they are just as alluring as the blue-eyed blonde russians/eastern europeans? will it take more than one issue to pull that off -- or will over 150 pages of stunning photos make them see the light?
evidently so. vogue italia was all black but the paris couture show was all white -- and parading the same excuses of "supply and demand." so yes, its going to take more than one issue. but one thing is for sure: the conversation has begun.
oh -- and lest you think that it's just fashion and fashion doesn't matter, i leave you with this quote from Robin Givhan, a fashion writer and Pulitzer Prize-winning commentator for The Washington Post:
“One of the things people need to understand and come to grips with is they’re in the business of defining beauty and selling beauty. Beauty is a form of currency and if the industry is in the business of defining what is beautiful, then it also is in the business of defining who is valuable and who is invisible.”
ps: check out the NYT slideshow here.
Friday, July 11, 2008
The New Jersey Four
contrary to what anyone may assume, i don't have an internal rss newsfeed that's race and gender specific, automatically informing me of any and every injustice that applies to me as an african-american and as a woman. where would i -- or anyone for that matter -- have heard about this incident if it weren't publicized ad nauseum somewhere?
when something horrible happens to people of color nowadays, a media-savvy publicist is almost as necessary as a good lawyer. you have to climb to the top of the heap of news items and wave your flag of information as high as you can, and you have to keep waving it until your situation gets the attention and the coverage it deserves. i'm sure that any major media outlet in this day and age would mark this as a story on non-interest but as a black female, i have to disagree. anytime a black woman anywhere defends herself against a male attacker and goes to jail for it, you have my full and undivided attention.
and anyone who's warped enough to believe that this country and its legal system is just and fair to everyone needs to have their head examined.
the details are right here but the story in a nutshell is this: on august 16, 2006 four african-american lesbians walking through the west village were verbally harassed and physically assaulted by a black man, so they did the unthinkable: they defended themselves.
all of this was captured on video from a surveillance camera at a nearby store, including the two men who finally came to their rescue and proceeded to beat living crap out of the guy -- dwayne buckle -- that started the whole thing in the first place. later as mr. buckle recovered from his hospital bed, he said that the two men were responsible for his injuries. visual proof didn't matter, either. on june 14, 2007 all 4 of them -- venice brown (19), terrain dandridge (20), patreese johnson (20) and renata hill (24) -- received sentences ranging from three-and-a-half to 11 years in prison. none of them had previous criminal records. two of them are parents of small children.
do i have to tell you that they were convicted by an all-white jury? hm. i guess not.
the updates are promising. according to the new york times article, ms. dandridge's conviction has been reversed and her indictment dismissed because there wasn't enough evidence to support a guilty verdict. ms. hill has been released because her conviction couldn't be upheld, either. ms. brown and ms. johnson are still in prison, awaiting appeals.
this clip is a testament to the way things are coming together in a grassroots way all over the country to suport this cause.
the new jersey 4 blog has the latest updates, benefits, concerts and anything else you'd need to know about them -- including their contact information, to send donations, letters of support and encouragement.
Saturday, April 19, 2008
Meet the Mandingos
what someone's sexual fetish is says more about them than just about anything else -- probably because sex isn't something that we learn by group behavior. whatever you're into is you. with sex tourism on the rise, it seems that people everywhere are becoming more open and deliberate about persuing that obscure object of desire. and the love/hate relationship that the world has with black people/black culture need hardly be stressed. with all of this in mind, here's an interesting article that some would hardly consider surprising.
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They're gentlemen in the street, thugs in the bedroom, and your wife's steamiest fantasy.
-By Sanjiv Bhattacharya
Jeff didn't always like black guys. He was prejudiced—he admits it. As one of the few white kids at his school in the southeast of Washington, D.C., he fought a lot with black kids and was occasionally beaten up. When he later ran a string of gas stations, he was robbed: A black guy held a gun to his head and pulled the trigger—but the gun didn't go off.
"Honestly, that experience helped me a lot," he says. "I used to be very conservative. I didn't spend much money. Now I enjoy life. I'm much more open. Especially sexually."
It's a measure of how far he's come that Jeff (not his real name), now 40, is telling me this while we're watching a black guy have sex with his wife, Amber (not her real name), 37, at an interracial orgy. In Jeff's house. On his bed. The man screwing Jeff's wife is Branford (not his real name), a 30-year-old massage therapist who's not holding back—this isn't lovemaking, this is a proper pounding. Forget Amber—that's just how Jeff likes it.
In some ways, Jeff hasn't changed at all—he's the same football jock with small eyes, a wide head, and a big man's shyness; he's still a staunch Republican with a firm handshake and a solid golf game. But after surviving the holdup and two failed marriages, he set off in search of a new life. He moved from D.C. to Clearwater, Florida, where he sells mortgages, not gas. He bought a $700,000 home on a fairway of a country club, where he's yet to see a single black member. And he met Amber, a divorcée with a sag of victimhood on her face. Jeff and Amber have been married for three years and in "the lifestyle"—as swingers like to call it—for two. At one point Amber started talking about black guys. "I wasn't thrilled," says Jeff. "Nope, wasn't a fan." But she persisted, and he decided to go along. "I like seeing Amber get off," he says with a shrug. "It excites the hell out of me. And it's better if they're black. All Amber wants is sex. Black guys get that. And I know that Amber would never date a black man."
Jeff's casual bigotry aside, tonight's orgy is fairly typical. Amber's two boys, 11 and 13, have been shipped off to their grandparents' house, and their rooms have been suitably modified—the posters are off the walls, the clothes have been put away, and the lightbulbs have been changed to red. By 8 p.m., the incense is lit, the Jacuzzi's bubbling, and the DJ is spinning Sean Paul and Jay-Z by the swimming pool. Within an hour or so, the guests—23 white couples and 3 black couples—have arrived, all of them here specifically to have sex with single black men often a decade or two their junior. There are 12 such men in the house tonight. They call themselves Mandingos. And this is a Mandingo party.
In the wake of the Hurricane Katrina fiasco and the killing of Sean Bell, an unarmed black man, by police officers in New York last November, America's relationship with race—notwithstanding the enthusiasm surrounding Barack Obama's bid for the presidency—remains troubled. For the Mandingos, meanwhile, the parties continue. The man who arranged tonight's event, Art Hammer (a name he uses solely for Mandingo parties), started the Florida Mandingo group four years ago, just after his divorce. An enterprising 42-year-old black swinger from Tampa Bay, he has since become the go-to guy when it comes to organizing gang bangs and orgies for couples—the vast majority of whom are white—with a fetish for black men. So it was Hammer who sent the Evites for this "pajamas and lingerie" party and secured the attendance of the guests; it was also Hammer who booked the DJ, paid for the finger food, and brought the "courtesy condoms." Amber and Jeff just had to open their home. An advertising-sales guy by day, Hammer has done a bang-up job of marketing the Mandingos among the swinger set. The name Mandingo comes from Mandinka, a West African tribe that, in the antebellum South, was prized and bred for strength and virility. (Not that Hammer necessarily has Mandinka roots; he has no idea—"I'm Art Hammer," he says. "Not Art Haley.") Mandingo is now a byword for black male sexual prowess. When Hammer established the Florida Mandingos, two other (unaffiliated) groups—the So Cal Mandingos and the NYC Mandingos—were already up and running. Today new groups keep sprouting—in Atlanta, Chicago, Oakland—but Hammer's is the most prominent, the only Mandingo group invited to host a "Chocolate Fantasy Suite" at N'awlins in November, the second-biggest swinger convention in the country."The fantasy goes both ways," he explains. "The women get to fuck our guys while their husbands watch, and we get to fuck rich white women, really mutt 'em out. It works! But people in this lifestyle are affluent—I'm talking judges, CEOs, FBI agents, important people—so before they invite a bunch of black men into their homes, they want to know they're safe, they're not going to get robbed, and everyone is discreet. So that's what I provide—a gentleman in the street and a thug in the bedroom."
Hammer's "A-team" comprises 20 of the more than 100 single black men on his books; many of them are here tonight. "They have to have at least eight inches, and most have a college degree. They have to be able to role-play, and most important of all, they have to be gentlemen. It's the difference between Notre Dame, where you're a student-athlete, and the University of Oklahoma, where you're an athlete-student. We don't just take jocks."
Hammer is a model Mandingo, if a little old. Chipper and Ivy League-educated, he was raised on Long Island and served with the Special Forces. Almost half of the Mandingos at the party are ex-military men. There's also an accountant, an engineer, and a software developer, all in their early thirties. The youngest, Charles (not his real name), is 25 and a second-year law student. While they all uphold a strict standard of behavior, their individual opinions of these parties vary widely. Oddly, the crassest among them is the oldest, John, 47 (ex-Air Force, now a software salesman). Ever since his divorce went through in 2003, after some 20 years of marriage, he has been relishing his opportunity to "sling dick" without any responsibility. "Couples, for me, are perfect," he says. "There's no girlfriend-boyfriend shit. You keep her when I'm done—thank you very much. No valentines, no birthday. I'm a pig."
By contrast, Jared (not his real name), 36 (a car and pet-cleaning-equipment salesman who's in the Army Reserve), likes to write poetry and refrains from using words like pussy and fuck. He describes interracial orgies as a "heightening experience," proof that prejudice may be on the wane. "I find the yin and yang of the two colors mixing very erotic," he says. "I believe the world is looking beyond color now more than ever. And people are getting more attractive. Sexier people are having more babies. Look around!"
It's not clear where Jared is looking. These women resemble Kathy Bates more than they do Kathy Ireland. As they hover around the snacks on the kitchen island, the Mandingos mill among them in silk pajamas. And almost instantly, while the women's mild-mannered husbands chat about real estate and the PGA, the games begin. Hands rove from chicken wings to breasts, from chips to hips, from guac to cock. One couple grind by the sink and feed each other meatballs. Husbands and wives start slinking off with their chosen Mandingos. The party has begun its carnal ebb and flow, between nookie in the bedrooms and foreplay in the kitchen.
Hammer himself won't have sex tonight out of principle—the swinger equivalent of "don't get high on your own supply." He's the host here and a diligent one, always circulating and making introductions—he's the one who knows everyone's sexual predilections. Meanwhile, Jeff will manage to squeeze in two brief blow jobs before the night is over. The rest of the time he seems to be cleaning up empties and replacing trash bags. He's an obsessively tidy man—"my OCD husband," Amber calls him affectionately.
"No one's having sex on the sofas," he says, looking pleased. "I left the throw cushions on to encourage people to use the bedrooms—a little something I learned at the last party. Especially because we've got a couple of squirters here tonight. You don't want that on the microfiber. Not good."
Watching the Mandingos in action, one immediately notices two things: that most of them are packing more than eight inches, and that they're better-looking than the women they're pleasuring. Jared, for instance, is a chiseled and muscular six feet, probably the best-looking of the men. His first encounter is a ménage à trois with Maryam (not her real name), a pudding of cellulite, and her chiropractor husband, Rick (not his real name), who's all back fuzz and belly. Rick adopts a lavatorial squat near Maryam's face and thrusts his penis at her. Jared's presence seems like an act of charity, not that he'd say so himself. "No, no, there was attraction," he insists. "They're very nice, polite people. It's an inner attraction."
"Listen, black guys like bigger women because they can tear it up," says Branford, the masseur who had sex with Amber earlier in the evening. "They might look like librarians, but look at them go from room to room, taking double-digit dicks all night. It's awesome." In comparison, he finds that younger, hotter girls are scarcely worth the effort. "They think lightning shoots out of their pussy—'Oh, you want sex, what are you going to give me?' Here you get the soccer mom who's like, 'I just want you to fuck the living shit out of me.' That alone is hot."
Branford is an evangelist for the Mandingos. At the last 70 or so parties, he's brought his table and given free massages. "I make great contacts here," he says. "This gets my name out there; that's why I don't charge." The way he sees it, interracial orgies are the new golf—a way to interact with rich folks. Charles, the law student, also sees the benefits. "When you network with someone, it's because you have something in common. Whether it's golf or tennis or . . . .interracial sex," he says. "I haven't used it to my advantage, but I'm not opposed—I've definitely had sex with lawyers in the past."
According to Charles, both black and white friends he has told are usually intrigued, even impressed, by the Mandingo party scene. Shelby (not his real name), Jared's ripped 29-year-old cousin (ex-Navy, now a firefighter), tells me that those who are repulsed tend to be for sexual rather than racial reasons—men by the thought of having sex around other men, women by the wanton promiscuity. This isn't to say that they chatter about it at the watercooler—most of the Mandingos keep their weekend activities a secret from their co-workers.
But the Mandingos themselves have their own issues with the lifestyle. For example, there's seldom kissing or going down. It's a rule for some—Jared won't kiss or come unless he's with someone "special." Of course, the no-kissing rule is a prostitute's code. Not that the Mandingos get paid for sex—it's against the rules. Each guest at Hammer's parties pays an annual membership—couples pay $30 and Mandingos $75. Everyone pays an additional fee of $30 for each party.
But occasionally the rules are bent. Some Mandingos confessed to receiving tips of $100 and more after private sessions with couples at last year's N'awlins in November swinger convention. Others brag about the vacations they've been taken on. "I've been to Vegas twice, all expenses paid," says John, the software salesman. "The Bahamas, Miami. One couple took me twice. After a while, you feel like a piece of meat. But hey, they're not using me to mow their damn lawn. They're using me to fuck the wife."
Jared, too, for all his idealism, has felt used in the past. Once, when he was with a couple from Sarasota, the husband directed all the action and the woman didn't say a word. "I felt like I was just—excuse my language—'a dick' for his wife," he says. Unfortunately, a similar thing happens tonight—a heavily medicated husband starts belching out commands—and Jared just walks out, leaving the wife frustrated and embarrassed.
Jared believes that, the stereotype of black male potency notwithstanding, the fundamental dynamic in the interracial swing scene—that of black men dominating white women—is fueled by a combination of white guilt and female sympathy. But Hammer, who is an impresario of these fantasies, sees another potent element at play: the humiliation of the white husband. Up to four times a week, Hammer is asked to arrange cuckold scenes in which the husband is submissive to his wife, who is, in turn, dominated by a Mandingo. "He can't participate, he can only watch," he says. "And afterward, he has to clean her up." Then there are the public-humiliation fantasies, in which a white man asks a Mandingo to kiss and grope his partner in public while he watches. Even here at the party, there's an air of humiliation. Some of the husbands I speak with confess that they're no longer able to satisfy their wives. And while others say they get off on watching, they're never fully committed. "It kinda kills me sometimes," says one partygoer, Kevin (not his real name), listening to the submission fantasies of his girlfriend, Gail (not her real name). "Because I'm not dominant. I'm really an easygoing guy."
What all this means for race relations in the age of Obama is difficult to say. Though he's had a disappointing night, an optimistic Jared still likes to think that the more the races share fluids, "the more these taboos will disappear and we'll all realize we're not that different." But as the clock strikes three and only the stragglers remain, you see the races pulling apart. The Mandingos are hanging out by the pool table, talking reverentially about the white women they've had—"Dude, she took, like, 12 guys; her husband has to let her go, there's no way one man can satisfy her . . ." The only white people still there are out by the pool. Neither Amber nor Jeff will be seeing any of the black men they've invited to their home tonight until the next party, to be held in a month's time. Though Jeff has allowed Branford to be intimate with his wife, he won't be calling him for a beer after work. And if they should see each other at the mall, they'll usually look the other way—it's all part of the swingers' pact.
I find Jeff at the end of the night, busy cleaning up the kids' bedrooms—their grandparents will be returning them in a few hours, and the sheets need to be changed, the lightbulbs switched, the evidence removed. Shining a flashlight underneath the 11-year-old's bed, he tuts and tsks. "There, look, a condom wrapper! I missed one of these once, and the kids found it. You know, I leave a trash can in every room, but still, some people . . ."
Thursday, April 17, 2008
..."do some ho' sh*t"...
Monday, April 14, 2008
Miss Texas has been crowned Miss USA!
that's right: ms. crystle stewart of missouri city, texas -- a teensy little rinky-dink town right outside of houston -- beat out fifty other beauty queens to be crowned miss usa on friday in las vegas, nevada. how cool.
here's the kicker, for me: she was chosen as 3rd runner up for miss texas twice and then first runner up for miss texas twice before she won the title of miss texas. she's 26, so she's been at it every year for quite awhile. i think that's a huge deal, that she kept trying until she won. it shows a remarkable sense of focus and diligence and determination. in an interview i saw this morning, she went on about how every loss was a chance to learn what not to do and what to improve. i love that.
i know this sounds cheesy, but it takes a lot of work to look good. nevermind all the workouts, the beauty treatments and having to figure out what looks good on you and what doesn't. if you're a modern girl, that's your gig anyway. it's the dental work that kills you. that alone is enough to cave most people in, because it's crazy expensive and it usually takes a lot of time to fix whatever is wrong. shifting teeth around and pulling teeth and stuff like that. you have to take out loans and work a second job and all this. i know my teeth are going to look great next spring, but right now i'm going through hell and high water and there's nothing pretty about it.
and yes, i'm sure that they're capped to perfection but miss usa has perfect-looking teeth.
i think it's very important when women of color win these beauty competitions -- especially in light of the fact that once upon a time not too long ago, it was unthinkable to include us. it tells the world -- and us too, because frankly some of us really need to hear it -- that we are beautiful, too.
but okay, so here's the real kicker in all this: i really do believe that you can use whatever you've got to glorify God, even if all you've got is pretty. think about it: queen esther was basically a beauty queen. she saved an entire nation, and how did she pull that off? it happened because the king thought she was more beautiful than any of the others. and once he realized that killing all the jews meant killing her too, everyone's life was spared.
what on earth did she look like? she must have been a real hot tomato. the bible says that queen esther "was lovely in form and features."
God, as it turns out, can use anyone, with whatever they've got.
Thursday, April 10, 2008
random sightings from the gym
cameron and i did a production of the wiz in the round at the arena theater in houston, texas some time ago. i was addapearle. i was in the show for probably all of 15 minutes -- the beginning and the end, really, with one hot number to make me really happy. i heard that it might go to broadway, so i did the part because i wanted to be a serious consideration if that happened. george faison choreographed/directed this one. i'd heard the stories about him and how crazy he is, and somehow instinctively i knew that if i was funny, he'd leave me alone. and he did. we had something outrageous like 3 weeks to rehearse and that he got the whole thing choreographed and up on its feet in 9 days.
when cameron told me that he was still doing theater, i told him to stop. on-camera work pays so well, i'm not so sure i'll ever do theater again -- unless it's something that i'm writing/developing, or something that i can originate. we talked about our options on broadway and otherwise. cameron told me that india.arie is going to star in the broadway revival of for colored girls who have considered suicide when the rainbow is enuf as the woman in purple, with whoopi goldberg producing it. i had no idea she knew how to act. if you are a musician with little or no theater experience, is broadway really the place to learn? especially if you're doing an iconic black feminist play? hm...
i remember when molly ringwald did her star turn on broadway. and christine applegate. and john stamos. and deborah cox. and toni braxton. and p diddy. these people don't originate work. they guarantee ticket sales, bolster sagging box office reciepts and give themselves a little credibility. but at what price for the rest of us? at what price for broadway?
and therein lies the irony: for actors like cameron and i who want to originate work, it's a bleak scenario for us because we haven't done lots of film/tv. we're not famous musicians. not yet, anyway. as far as the acting stuff is concerned, all we can do is keep auditioning. all we can do is stay in a constant state of readiness. all we can do is wait our turn.
well. this isn't a waiting room situation for me. i don't like to wait for the phone to ring, so i'm doing all this other stuff -- like writing another one person show or making another CD -- while all of that acting stuff does whatever it's going to do.
of course, none of this has anything to do with being talented or being good enough. go figure.
Tuesday, April 08, 2008
random sightings from my couch
last week was no exception. i was watching oprah the other day while i was doing lots of other things, like checking my email and cleaning house and everything else. there was a promo blurb about the show oprah's big give that caught my eye. a black woman on the show from the series who had caused a bit of controversy. everyone said that she had an attitude, that she was always snapping at people on the phone, that she wasn't a team player, that she had an ego. i stifled a yawn, disinterested. what black woman are they NOT going to say that about?
why did she look so familiar, i wondered. and then it hit me: i know her...it's rachael hollingsworth!
i met rachael quite a few years ago when, after an audition and 3 callbacks, i did a master class for the disney musical "the lion king" wherein they taught us how to sing in several african dialects. for weeks we came in and clicked our way through it. rachael was tall, elegant, beautiful -- and funny. she had a great voice. i remember the african conducting the class kept flirting with her. her sister was a dancer -- also tall and elegant and beautiful -- and was already in the show. rachael was singing regularly with hank lane music and eventually i followed her there and did a few club dates, too. i liked her. i thought she was mad cool.
as it turned out, she was dating larry doberman, a friend of mine who was a broadway stalwart from georgia. larry was the only male negro in that lily-white musical crazy for you -- amongst many others. he has a truly beautiful voice. perfect lilt of a tenor, with range and power and grace. and he could dance -- and tap dance -- his butt off. how did i meet larry? we went through the governor's honors program in georgia together, with a concentration in theater. he's also an excellent photographer. (i'm still using his shots!)
anyway, i recall that rachael and larry were an item for awhile and after they broke up she headed west -- but not before she and i worked on that spectacular catastrophe, Marci X. i couldn't go to LA. i didn't know how to drive and the people -- black, white and otherwise -- freaked me out. so i knew that my transition to film/tv/commercials would have to happen on the east coast. but i distinctly remember telling her a heartfelt good-bye and wishing her well. some time later, i saw her on that courtney cox series dirt with a nice chunk of a role as a fashionista and i thought, good for you. hats off to any black woman in this day and age that can work in LA, no matter what she looks like.
so what was rachael doing on oprah? as it turns out, she was one of several contestants on oprah's big give. she made it all the way down to the final four -- her and three other people. whoa. now i had to stop all that other stuff i was doing and really take this in. this was crazy huge.
as it turns out, she'd gotten booted off the show and she was coming on to do this whole big explanation thing with oprah that continued after the show. ugh!
i saw clips of the controversial episode and as i watched the discussion online, i understood. as a performer, you're pushing yourself out there so hardcore with any opportunity that comes along. especially if you're on the verge. and let's face it -- you're always on the verge. as i watched rachael's interview, i remembered this wonderful interview i read on naomi watts where she was going on about how she was in LA and unknown and her agent/manager/person was reprimanding her because she was going into auditions and the producers that were considering her work could see how desperate she was, and it was turning all of them off. and her friend nicole kidman who was hugely famous, was telling her things like, no matter how bad you think you're doing, there's someone out there who'd love to trade places with you. and she would console herself by saying, okay -- i have a ratty old car, but it runs. i have a ratty apartment, but at least i'm not homeless. and so on.
i'm not sure how ms. watts turned off that "i'm getting old! i'm desperate! hire me!" approach when she would go into auditions, but she did eventually and now she's huge. i think i had that when i first came to nyc but after i finished college and fell into music and songwriting, my priorities shifted and i found myself not caring about a lot of that stuff anymore. my problem, i think, is that i should have shifted to film/tv/commercials a lot sooner, instead of sticking to theater.
i can't even imagine being consumed by "fame" and "money" and "making it" at this point. graduate school is an ever-present possibility and the auditions for on-camera work come and go but right now, all i can think about is getting better at playing guitar and writing better songs. i'm way more interested in developing ideas and writing stuff than i am in being the center of attention.
regardless, i know what that "pushing yourself out there" thing feels like. after awhile, it's like a reflex. so i could understand what happened with rachael and the carnegie hall moment and i could totally relate.
the idea of getting out of the way with your ego so God can work is an important one in Christianity, so this wasn't a new concept. the mechanics of how to do it is what's tricky. i think that oprah was clear with her explanation of what it is and how to approach it -- and in the end, the scenario was much the same as many online "after the show" moments: rachael sat there, nodding and crying and smiling and holding oprah's hand tightly, while oprah went on dispensing new age wisdom and courage, like a modern day yoda.
Monday, March 24, 2008
america the divided: dunbar village and why you don't know about it
this is why so many black people are angry and in a panic. this is why we have our own news sources and radio programs and newspapers. because the resources that are for the common good and that are supposedly for all of us aren't reporting about what's happening in our communities. so we have to do it. we aren't being divisive. they aren't being inclusive. they never have been.
i can certainly tell you all about what's happening in your collective community. why can't you tell me what's happening in mine?
until basic issues like reporting the news are rectified, i will never believe that there is equality or justice here. those are buzzwords used to pitch this country favorably in a global marketplace. it's all a marketing ploy. as always, we're selling the idea of what america is. what's funny is that everyone else in the world can see right through it.
but i digress.
the thing that is so profoundly disturbing about the entire dunbar village issue is that a black woman was assaulted to this extreme -- as many as 10 black youths beat and sexually assaulted her in front of her 12 year old son and forced both of them to do some pretty sick things -- and the nationally recognized so-called leaders of the black community have rushed to defend and protect the accused and not the victims. for a long time, i was fairly convinced that we have been conditioned to denigrate black women. unfortunately, this entire situation proves me right.
now what?
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DEAR READERS:
This mass open letter is a call to action for all black people who care about the safety and welfare of black women and children in America. If you are concerned about the recent developments about Dunbar Village, please copy the post below, and email it to all of your friends and coworkers.
WE WILL NO LONGER BE SILENT ABOUT VIOLENCE AGAINST BLACK WOMEN.
Copy and email below, and title your email: Stop Al Sharpton and the NAACP from endangering Black Women!
Let us know in the comments section if you are supporting the movement to protect black women from black on black violence.
______________________________
Stop Al Sharpton and the NAACP from endangering Black Women!
Right-thinking black people everywhere are stunned by the recent betrayal of Al Sharpton and the NAACP in a situation that is just too outrageous to ignore.
This is a painful story to tell, but it's important for the moral, law-abiding majority of black Americans to understand exactly why Al Sharpton and the NAACP must be immediately stopped.
On June 18, 2007, a black woman was gang raped by 10 youths and forced at gunpoint to have sex with her own 12 year old son in a housing complex called Dunbar Village in West Palm Beach, Florida. The young men not only viciously punched, kicked and sliced this sister and her
son with glass objects, but they also blinded her boy by pouring nail polish remover into his eyes.
The young men forced this sister and son to lay naked in a bathtub together, and attempted to set them on fire (they could not find matches). The youths boldly took cell phone pictures so that they could enjoy their violent, immoral and sadistic acts at a later time. The violence continued for more than three hours, and although this sister's neighbors heard her screams, no one called the police or came to her aid.
This sister and her son had to walk a mile to the hospital, because the assailants stole her car, and threatened to kill her and her family if she told the authorities.
Only four of the young men have been apprehended, while the remaining six are on the loose, doing Lord knows what in our communities. There is no manhunt for the remaining suspects.
As devastating as this story is, what the NAACP and Al Sharpton have done about it will simply take your breath away:
Not only did the NAACP ignore hundreds of requests to assist this woman because it was 'outside the scope of their mission', but they joined forces with Al Sharpton, and sent their lawyers to speak out IN SUPPORT OF THE RAPISTS.
You heard me right.
Even though there is conclusive DNA evidence and signed confessions, the NAACP and Al Sharpton are saying that it is 'unfair' to not offer bail to these four alleged rapists. They even had a press release about it.
IT IS TIME FOR SENSIBLE BLACK PEOPLE TO STOP THIS KIND OF NONSENSE, ONCE AND FOR ALL.
Al Sharpton and the NAACP are banking on the belief that you and I will be just like this black woman's neighbors. Join me by saying NOT THIS TIME. We will not turn a deaf ear to when we hear calls for help from one of our sisters and brothers who are being victimized.
Stop the NAACP and Al Sharpton's National Action Network from committing this disgrace in our community. Just this once, let's stand up and be counted by saying that we demand safe neighborhoods for our women and children.
Here is what you can do:
- Spread the word. Forward this email if your conscience and concern have been raised. Send it to every concerned black citizen that you know.
- Demand an explanation from your local NAACP chapter about thiscase. Cancel your membership to these organizations, and write a letter explaining that you will return when they prioritize the public safety needs of black women and children.
- If you know an African American reporter or a black radio talk show
host, forward this story them and ask them to follow up on it. - If you do not belong to these organizations, call and write them to tell them of your outrage and displeasure:
4805 Mt. Hope Drive
Baltimore MD 21215
Toll Free: (877) NAACP-98
Local: (410) 580-5777
National Action Network
Rev. Al Sharpton
106 W. 145th Street
Harlem, New York 10039
212-690-3070
877-NAN-HOJ1
Each Friday at 9:00am, visit any of the websites below, which will give you an update on the status of this situation. DO NOT LET THIS GO. Let us start working for safer neighborhoods in black communities.
Read the history of the Dunbar Village problem here:
http://www.dunbarvillage2008
Friday, March 21, 2008
"black women who date interracially" - the support group!
i guess i'd need it too, if i actually gave a crap about what anyone thought about who i was seeing. but whatever.
we all know the stats, don't we? as it stands, 70% of black women are single.
when they run over these numbers, no one launches into who isn't interested in marriage because they're gay/lesbians. hm. that would be an interesting documentary.
evidently, i can join this BWWDI group whether i'm married or not. they want supportive sisters, that's all. and i understand. but more and more i think that anyone's comfort level with interracial dating has everything to do with not just being open but also emotionally mature and grounded. you really have to know who you are and be sure of who you are. it's easy for me to not care because i know that all of those "other people" (the proverbial "them," i suppose) don't matter.
why do black women have to be so deliberate about interracial dating? do we really need a 12 step program, a support group, a prayer circle and a how-to manual to say yes when that white guy at work asks us out for the thousandth time?
good grief.
still and all, it's good that black women are discussing this stuff. i know i've posted about this before, but it bears repeating: it's not about dating the white guy, or a guy of any race, for that matter. it's about dating the cool guy, no matter what he looks like. whether the two of you are compatible and get along matters way more than what race he is.
then again, i don't know what i'm saying. there are still way too many black women who can't stand to look at themselves unless their hair is straightened...(check out that video above from the Oprah show. an audience full of black women, and not an afro or a dreadlock in the bunch!)