Sunday Sermonette: Sister Rosetta Tharpe -- That's All

Here's more of Sister Rosetta Tharpe -- guitar slinger, songwriter, vocalist, gospel shouter and rock and roll trailblazer -- burning it down as usual in Paris (where else?) with the gospel number That's All.

She is, without question, the undisputed Godmother of Rock and Roll.  To watch a pretty cool documentary about her life and times so you'll know why, click here.

Video of this lady in action is rare. Listen in and be blessed.

I'm gonna tell you the natural facts
That a man don't understand the good book right and that's all
That's all

You know what?
We got to have more love
More understanding everyday of our lives
And that's all
Yeah

When you see folks jump from this or that
They don't know they don't know where the devil's at
That's all
That's all

They got to have more love, more understanding
Everyday of their lives I tell ya that's all

Listen, people fighting one another
And think they're doing swell
And all they want is your money
And you can go to heeeeyyyyy

That's all
That's all

Ya'll got to have religion, yeah, I tell ya that's all
Now you can go to the college
Go to the schools
You ain't got no religion you an educated fool
That's all
Yeah, that's all

He got to have more love, more understanding
Everyday of our lives and that's all 

Sunday Sermonette: Sister Rosetta Tharpe - This Train

Sister Rosetta Tharpe -- vocalist, songwriter and guitarist -- is the undisputed Godmother of Rock and Roll.  She was the first bonafide gospel star and yet, her trailblazing extends far beyond the church in three very important ways. First, she infused gospel with rock and roll the way Ray Charles infused R&B with gospel.  Secondly, she did this with the electric guitar, which was a new item at the time, and played it like none other. Thirdly, because she was a master of the electric guitar (she started playing in church when she was 3 years old), she was a strong influence with artists like Chuck Berry, Buddy Holly and Elvis Presley -- and they influenced everyone, most notably bands like The Beatles and The Rolling Stones. And who hasn't been influenced by The Beatles and the Stones?

They're all standing on her shoulders. It is for these reasons and more that her body of work can't be denied or diminished.

This woman is my heroine and in many ways, my blueprint: here she is, performing for a European audience, in a beautiful gown with that white Gibson, singing an old Negro spiritual her way -- and talking smack to pianist Otis Spann, no less.  What a glamorous, flamboyant performer she was -- and yes, so theatrical.  It's everything I aim for, when I perform. It's like I was doing it, then I discovered her and found a parallel line that eventually ran all the way through me -- from her Southern beginnings in COGIC to her time in New York City and eventually Europe.

Listen in and be blessed.

This Train

This train is bound for glory - this train;
This train is bound for glory - this train;
This train is bound for glory - all who ride it must be holy;
This train, this train, this train.

This train has left the station - this train; 
This train has left the station - this train; 
This train has left the station - this train takes on every nation; 
This train, this train, this train.

This train don't carry no liars - this train;
This train don't carry no liars - this train;
This train don't carry no liars - no false pretenders, no back-biters;
This train, this train, this train.

This train don't pull no gamblers - this train;
This train don't pull no gamblers - this train;
This train don't pull no gamblers - no crap-shooters, no midnight ramblers;
This train, this train, this train.

This train is a clean train - this train;
This train is a clean train - this train;
This train is a clean train - everybody ride it in Jesus' name;
This train, this train, this train.

Finally! -- The Sister Rosetta Tharpe Documentary

sister rosetta tharpe was an internationally recognized powerhouse performer and guitar-slinger that infused the rock 'n roll she played with gospel lyrics. although she was versatile -- she sang and played jazz with big bands -- she was the very first gospel recording star, with a heyday that began in the 30s and 40s and continued through the 60s. combining the sacred with the secular may not be a big deal to many but for some, this was (and still is) absolutely unthinkable. sister tharpe did it first, way before ray charles or even sly stone -- and she set rock 'n roll in motion, way before chuck berry or even little richard. the fact that a black woman did this on guitar can't possibly be overemphasized enough. and yes -- in a genre (rock 'n roll) that was (and still is) a (white) boy's club, she was formidable.

i have always admired sister tharpe. she has inspired me to become a guitarist. if they make a biopic of her (and someone should), i want to star in it. on second thought, maybe i should hurry up and get famous, so i can make that movie myself.

absolutely anyone that thinks they know anything about popular music and rock and roll in this day and age should know who she is. if they don't, they are missing the mark, and then some.

i highly recommend the biography shout, sister shout! the untold story of rock and roll trailblazer sister rosetta tharpe by gayle f. wald. until you get ahold of that book, here's sister tharpe's documentary, in its entirety -- only about an hour long and well worth watching.

Watch Sister Rosetta Tharpe: The Godmother of Rock & Roll on PBS. See more from American Masters.

sister rosetta tharpe

i'm reading a bio on sister rosetta tharpe called shout sister, shout! that's really changing the way i see her as a rock and roll prototype and the way i see myself as a musician and performer.

look at how amazingly cool she is!

wierdly enough, she and i are a lot alike. we both grew up as members of the pentecostal church, in the sanctified church, otherwise known as C.O.G.I.C. we both had our first moments as vocalists and performers there -- although the image of her as a 5 year old standing on a piano and wielding a guitar is pretty stultifying. she's very much a holly roller and not surprisingly, she's a showgirl, a real comedienne and entertainer, a flashy, schmaltzy frontperson that believes in entertaining the audience. the photo to the left is pretty cool but in my favorite images of her, she's got on a long elegant glittery gown, she's wearing beautiful jewelry, she's flawlessly made up and gorgeous, and she's got a bonafide electric rock and roll guitar -- not some folksy, quiet, acoustic number.

i must say, i for one have never understood the urge to not dress up when appearing onstage. i'm the one that dresses up to get to the gig, so i can dress up all over again. any excuse to wear a gown of some sort -- even if it's denim -- and i'm probably going to take it.

in the videos i've seen, she's slinging her guitar with an authority and ease that's positively ballsy. and of course, absolutely unheard of, then and now. she's not a quiet strumming wallflower. everything about her is loud, from her amped up guitars to her over-the-top showmanship. and i love loud.

this is really inspiring me to dig in and continue to learn how to play guitar. but looking at the video clip below and watching her go at it is enough to make anyone want to plug in and rock out.

guitar-slinging blackgrrls have always been -- and continue to be -- legion. there are a lot of us out there to inspire me. (memphis minnie, anyone?)