there are articles and books that talk about disco as a cultural phenomenon but i haven't really read anything that dissects the creative drive or the musicianship behind certain groups or producers. the overall presumption is that disco lacks both. nowadays most talk about disco like it was a strange, tacky blight on the american music landscape. but i never thought that about the group chic.
then came the book everybody dance: chic and the politics of disco by daryl easlea. of course the author is a regular contributor to Mojo, arguably the only music magazine worth reading these days. of course it's published by helter skelter located in london, a city that knows a good black american thing when they see/hear it. of course a brit would intellectualize what chic has done and give their music and their production aesthetic the respect that it deserves. of course.
here's a glimpse: a live performance from back in the day. even from this far away in time and online video, it feels like a party. (check out nile rogers' afro! i love it!)