Because I sing a wide variety of (mostly!) American jazz from the turn of the century through the 50s (amongst other things), I'm always in dire need of formal vintage clothing. Although usually I can shop in my closet for a crisp modern look that can accommodate the 1940s and the 1950s, I'm flummoxed when it comes to The Gilded Age. I'm not flatchested enough to pull off an androgynous look, so I get away with as much as I can by finding inspiration in bias cut gowns and cocktail dresses from the 1930s. Here's my latest gown: an elegant, curve-hugging bias cut satin number that simply slips over my head, like a t-shirt.
I know it looks pink but it's really peach. And I'm a Georgia peach. So there's that.
Walking around my apartment with all that luscious fabric billowing behind me made me feel as though I were floating on a cloud. Plenty of room for the ladies -- not constricting at all. Maybe I'll try it out when I perform at the next Jazz Age Lawn Party in August.
Thank God I can write this off. Happy birthday to me!
Now I'm off to search for accessories...
Showing posts with label Jazz Age Lawn Party. Show all posts
Showing posts with label Jazz Age Lawn Party. Show all posts
Thursday, June 09, 2016
Thursday, June 04, 2015
The Jazz Age Lawn Party: Details, details!
On June 13-14 and August 15-16 from 11a.m. to 5p.m., guests transcend time once upon the shore of Governors Island to celebrate the music and zeitgeist of the 1920s and ‘30s. The
romance, joie de vivre and infectious rhythm of that halcyon age come
to life once more, as the distractions of the modern world fade away.
Each weekend, guests will don fresh linen, lace, seersucker and
straw at the world’s quintessential prohibition era gathering. Special
surprises for its 10th Anniversary celebration will abound and delight. Featured programming includes:
MUSIC & DANCE PEFORMANCES on TWO STAGES featuring the finest Jazz Age entertainment:
- Michael Arenella & His Dreamland Orchestra: the world’s premier Jazz-Age dance orchestra, steeped in the hot-dance band tradition of the 1920s and early 1930s, present a one-of-a-kind songbook from Michael’s original album, “Blue River,” and his newest album, “Just In Time,” which will be on sale for the first time at the event. “Just In Time” highlights Michael’s horn playing and singing in an intimate, jazz-driven setting
- Roddy Caravella & The Canarsie Wobblers: performer, teacher and Jazz Age Lawn Party Dance Director Roddy Caravella, and his fun-loving dance troupe The Canarsie Wobblers, will showcase performances that capture the exuberant spirit and flaming youth of the Roaring ‘20s
- The Antique DJs: emcees and Antique Phonograph DJs, Michael Cumella and Michael Haar, spin vinyl and cylinder records on period crank up talking machines and bring to life original recordings from the 1920s
- The Dreamland Follies: the ten girl dance spectacular harkening back to the days of the Great Ziegfeld, will delight guests just as much with their choreography as their Art Deco costumes and head pieces. Expect a new 10th Anniversary production set to Michael Arenella & His Dreamland Orchestra’s theme song, “Paddlin’ Madelin’ Home”
- Peter Mintun: the world’s greatest piano man will dazzle guests with his magical fingers
- Queen Esther: hear modern-day jazz royalty as the award-winning jazz vocalist presides over the lawn
- The Gelber & Manning Band: feuding vaudevillian lovebirds, specializing in raggy time songs and early jazz styles, will quarrel and coo to your delight
- The Minsky Sisters: tap dance darlings delight with fancy footwork in the tradition of classic vaudevillian family acts
- Tamar Korn: ephemeral vocalist, known for her love of singing songs both lyrically as well as "instrumentally" with her pitch-perfect pipes, will perform her signature repertoire steeped in traditional New Orleans and early jazz
- Molly Ryan: with a lush, elegant vocal style, songs of the 1930s will be brought to life with innocence and total believability to the music that refuses to admit that 80 years of distractions have ever happened
- Albert Cadabra: the master of illusion and charm will astonish onlookers with devilishly wild magic delivered with unmatchable style, class and an inviting sense of humor
DANCING upon TWO EXPANSIVE, JUMBO-SIZED WOODEN DANCE FLOORS set up right on the lawn!
- Dance Lessons: learn the hottest dance steps of the time from top Jazz Age hoofers
- Charleston Dance Contest: see who’s the Bee’s Knees in this lighthearted yes spirited dance-off
BRAND-NEW GOURMET FOOD MARKET
- The all new food market will feature New York’s fanciest picnicking fare and gourmet food trucks along with treats and snacks by vendors such as Luke's Lobster, Empanada Lady, Kaya NYC, Local 215, Carnal BK, La Crêpe C’est Si Bon, Vintage Ice Cream Guys, Chef and the Baker and more
- Annual High Court of Pie Contest: submissions are open for the annual contest. Categories include: “Mom’s Best” “Best Savory” “Most Original” and “Hobo’s Choice” (For entry email: govislandpie@gmail.com)
VINTAGE COCKTAILS & BEVERAGES
- St-Germain Artisanal French Elderflower Liqueur will be the signature spirit for the seventh consecutive year. Golden age elixirs such as the signature St-Germain Cocktail (made with St-Germain, sparkling wine, sparkling water and a lemon twist) will be served alongside the 10th Anniversary Cocktail (a refreshing Collins-style cocktail blending summer strawberries with gin, St-Germain and fresh citrus), and a delicious Boathouse Punch from renowned cocktail celebrity Julie Reiner’s new book (Bombay Dry, St-Germain, Aperol, Martini Sparkling Rosé and splashes of lemon, orange and grapefruit juice)
- MARTINI & ROSSI sparkling wines again join the lineup of superior cocktail offerings. The iconic Italian winemaker will be showcasing a full menu of sparkling wines for refreshing enjoyment, including the new fully sparkling Prosecco, the aromatic Rosé and the naturally sweet Asti. Available by the bottle, by the glass, or in charming mini bottles, MARTINI & ROSSI has a wine for every palate
- DUVEL and BREWERY OMMEGANG will be the signature beer
- Additional Beverages include: old fashioned lemonade, soda, juices, water, iced coffee and tea to whet your whistle
FASHION & SHOPPING
- Bathing Beauties and Beaus Promenade: pull that itchy wool number out of the mothballs and parade it for all to admire
- Vintage Clothing Vendor and Artisans: a veritable village of timeless treasures and inspired creations to take home
ADDITIONAL ACTIVITIES FOR THE YOUNG & YOUNG AT HEART
- Kidland: carnival games and prizes for junior gents and flapperettes
- 1920s Motorcar Exhibition: get up close and personal with flivvers, Tin Lizzies and “Buttercup,” Gatsby’s very own 1925 Rolls-Royce “Twenty”
- Vintage Portraits: immortalize yourself while perched upon one of our Paper Moons with special vintage adornments and accessories available by Unique Vintage
Friday, February 13, 2015
Friday the 13th #1: Photoshoot!
Because Friday the 13th happens three times this year -- and won't happen again for another 11 years! -- I thought it would be fun to do something momentous for each one. I'm not superstitious but I know way too many specifics about my Southern rural traditions, and I have sense enough to respect them. Everybody's got their thing. Such is life.
It's interesting to mark the days this way, with art that I make or ideas that catch me off guard. This moment came together with photographer Steven Rosen so effortlessly, it felt like fate. Steven was the one who took this portrait of me at the Jazz Age Lawn Party last year. This photo captures the ethereal, timeless, elegant nature of the event -- and me! -- so completely, that asking him to shoot me for the April residency was a no-brainer.
I will be in residence at Minton's Harlem every Tuesday in April, with a program I've created that is dedicated to delving into unknown facets of Billie Holiday's body of work. Every week, I will present a different idea, with unexpected results. What's especially exciting is that 2015 is her centennial year and the first Tuesday of the residency -- April 7th -- is her birthday.
I have been thinking about the visuals for this project for a long time, mostly because I was in the process of shaping my own image and I knew that it would bend its way onto this idea whether I wanted it to or not. I wanted something simple and austere, yet elegant and beautiful -- mood-inducing stuff -- because ultimately, I should look the way the music sounds. But it's bigger than that. I can no longer have anyone look at me and think of anyone else except me. And that's WAY more difficult than it sounds.
Here's an out-take. And just in case you were wondering: I'm wearing a Byron Lars silver hobble dress, I did my own hair and make-up, and yes, I styled it myself.
For information about the April residency at Minton's Harlem and/or to make reservations, please call 212 243 2222.
I know there are a lot of people who will be looking for gardenias in my hair or an imitative send-up of her more popular material, because quite a few of those people have approached me whenever I sing any Holiday standard with a peony on my head. Sometimes they say the oddest things, like how my flower is on the wrong side of my head or how I don't sound like Billie Holiday at all or how I must listen to a lot of Carmen McRae or Nina Simone or whoever their favorite black female jazz singer is. I love peonies. I think they're a gigantic burst of color to my soul. I think they wake up something in me whenever I wear them. But I can't wear them anymore.
I have absolutely no intentions of turning myself into Lady Day for a month. Miss Holiday herself got tired of that flower and those songs long before she passed away, and made a point of moving past them with resolve when the rest of the world refused to do so. My question is, what about the rest of her work?
I hope that everyone is as interested in her rare sides as I am -- those songs that were hits back in the day but don't get a lot of attention, here and now.
See you in April.
It's interesting to mark the days this way, with art that I make or ideas that catch me off guard. This moment came together with photographer Steven Rosen so effortlessly, it felt like fate. Steven was the one who took this portrait of me at the Jazz Age Lawn Party last year. This photo captures the ethereal, timeless, elegant nature of the event -- and me! -- so completely, that asking him to shoot me for the April residency was a no-brainer.
I will be in residence at Minton's Harlem every Tuesday in April, with a program I've created that is dedicated to delving into unknown facets of Billie Holiday's body of work. Every week, I will present a different idea, with unexpected results. What's especially exciting is that 2015 is her centennial year and the first Tuesday of the residency -- April 7th -- is her birthday.
I have been thinking about the visuals for this project for a long time, mostly because I was in the process of shaping my own image and I knew that it would bend its way onto this idea whether I wanted it to or not. I wanted something simple and austere, yet elegant and beautiful -- mood-inducing stuff -- because ultimately, I should look the way the music sounds. But it's bigger than that. I can no longer have anyone look at me and think of anyone else except me. And that's WAY more difficult than it sounds.
Here's an out-take. And just in case you were wondering: I'm wearing a Byron Lars silver hobble dress, I did my own hair and make-up, and yes, I styled it myself.
For information about the April residency at Minton's Harlem and/or to make reservations, please call 212 243 2222.
I know there are a lot of people who will be looking for gardenias in my hair or an imitative send-up of her more popular material, because quite a few of those people have approached me whenever I sing any Holiday standard with a peony on my head. Sometimes they say the oddest things, like how my flower is on the wrong side of my head or how I don't sound like Billie Holiday at all or how I must listen to a lot of Carmen McRae or Nina Simone or whoever their favorite black female jazz singer is. I love peonies. I think they're a gigantic burst of color to my soul. I think they wake up something in me whenever I wear them. But I can't wear them anymore.
I have absolutely no intentions of turning myself into Lady Day for a month. Miss Holiday herself got tired of that flower and those songs long before she passed away, and made a point of moving past them with resolve when the rest of the world refused to do so. My question is, what about the rest of her work?
I hope that everyone is as interested in her rare sides as I am -- those songs that were hits back in the day but don't get a lot of attention, here and now.
See you in April.
Wednesday, June 05, 2013
30 Days of Birthday: Day 5 -- A New Dress
This is a beautiful vintage gown of a dress, circa 1930 something -- a perfectly delicious, carefully ruffled, buttercup yellow, moire taffeta sliver of loveliness, puffed sleeves and all -- that I found on Etsy. There is no zipper. There are no closures. It's cut on the bias. It simply slips on over my head.
(This is the part in my head where I hear Madelene Kahn saying, "Taffeta, darling..." to Gene Wilder in that train station scene from Young Frankenstein. *sigh* Mel Brooks, I love you.)
I'm seriously thinking about wearing this to the Jazz Age Lawn Party. We'll see how I look in it when it gets here.
The quality of vintage clothing is so much better than what's affordable now. And it's always a real kick in the head to wear unique things. I simply can't stand seeing what I'm wearing on anyone else.
I do so love to wear old things. It's like I'm wearing history whenever I dress up in it and strangely, it makes me feel connected to the past in the most reassuring ways. I will wear a 1930s day dress and pass a shop window as I zip down the street and I will glimpse someone from another place and time, and lo and behold, it will be me. That doesn't creep me out. It gives me comfort.
Newton thought that time was absolute. Einstein proved that it was relative. Isn't there a theory that says everything is happening all the time, simultaneously? Why yes, there is. Everything forever, all the time. When I wear vintage, this makes perfect sense.
*sigh*
I am seriously addicted to the good stuff on the Discovery channel.
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